Il Rumore Bianco is a project born in summer 2012 thanks to Thomas Pessina, Michele Zanotti and Alessandro Danzi. Although the main referring genre is certainly progressive rock, a very important contribution is brought by jazz, electronic, ambient, post-rock and experimentation. From this perspective, the band created a peculiar and personal style that could be labeled within the post-progressive rock category.
In an age where major labels dictate that new releases from bands appear on record store shelves every 18 months or so, rare is the artist given freedom and ability to reflect and stretch out to explore creative evolution and release music as an artist, rather than the prepackaged predictability of an entertainer. Thankfully, Tool has somehow managed to circumvent these rituals, releasing a record every four to five years as they so feel the need. This ability to patiently craft their musical direction has paid off for not only the band, but for listeners, as they've been able to expand their musical vocabulary from album to album with great precision, all the while remaining true to the foundations that built such a loyal, if not cult-like, following. But with this absence comes changes to the popular music landscape, as new bands and sounds (as well as a new generation of heavy metal fans to entertain) replace and stimulate the charts…
In an age where major labels dictate that new releases from bands appear on record store shelves every 18 months or so, rare is the artist given freedom and ability to reflect and stretch out to explore creative evolution and release music as an artist, rather than the prepackaged predictability of an entertainer. Thankfully, Tool has somehow managed to circumvent these rituals, releasing a record every four to five years as they so feel the need. This ability to patiently craft their musical direction has paid off for not only the band, but for listeners, as they've been able to expand their musical vocabulary from album to album with great precision, all the while remaining true to the foundations that built such a loyal, if not cult-like, following. But with this absence comes changes to the popular music landscape, as new bands and sounds (as well as a new generation of heavy metal fans to entertain) replace and stimulate the charts…
Woods have been in a state of slow but steady evolution since forming in 2004, growing from their roots as a noisy and experimental lo-fi folk project into increasingly refined and ambitious, genre-bending sounds as the years went on. Perennial finds the group expanding once more, turning in some of their most ornate production while maintaining their signature earthen songwriting style. With core Woods contributors Jeremy Earl, Jarvis Taveniere, and John Andrews no longer near each other, the writing process for Perennial began with Earl creating loops of keyboard, guitar, and drum figures on his own. These loops became the foundations of the album, with Taveniere and Andrews fleshing them out and taking them in new directions.