Starless

Beauty and darkness, heavy guitars and fragile ballads, vintage blues rock and modern doom - the sound of Stockholm's AVATARIUM is so unique, that the band already succeeded in drawing the world into their mystical spell with their very first album. The Swedes take you by the hand and lead you down into their mesmerizing and gloomy world full of absurd poetry and bittersweet melancholy with a raw sixties flair. Although the band was only founded in 2012 by SOEN guitarist Marcus Jidell and CANDLEMASS chef Leif Edling, they were already able to top the soundchecks of the most prestigious European magazines and draw all eyes upon them with their two albums and EP's. Now Hurricanes And Halos is the outstanding successor to the critically-acclaimed The Girl With The Raven Mask…

King Crimson evolves, changes, morphs as relentlessly as the Soundscapes which open each concert. Since the 2016 tour of Europe, the band has become a double quartet line-up with Bill Rieflin’s return from sabbatical as keyboard player & Jeremy Stacey’s confirmation as a permanent member/third drummer. This allows for the inclusion of an ever more complex & compelling array of material, far more than can be contained in a single concert. With options for up to three keyboard players in the current line-up – Fripp & Stacey both have setups alongside their respective guitar/drum rigs - the majority of Lizard is performed live for the first time ever, likewise Fallen Angel from Red is making its first ever concert appearance/live recording, Cirkus envelops the listener in sound, the beautiful title track from Islands closes the first set, while staples from the 1980s line-up Indiscipline and Neurotica appear in very different arrangements.

Containing 1CD per year of live material taken from 2014-2018, Audio Diary features King Crimson in its ideal environment - recorded live.

Named after the tour from which the performances were taken, "Music Is Our Friend" is an official bootleg featuring all of King Crimson's final performance in North America at Washington in September, 2021. This 2CD set is completed with four pieces from the first concert of the tour's second leg in Albany. Taken together, these tracks represent both a beginning and an end of a tour that took place despite almost insurmountable issues. Originally scheduled for 2020, postponed for a full year because of the pandemic, the tour began July in Florida as the latest Covid wave hit and the band moved across the country in a tour bus bubble. Following a two-week break due to scheduling conflicts, they returned to the road again, with the Zappa Band appearing nightly before Crimson.

With solar powered torch in hand, and flat cap upon his head, it's time once again for good old Mr Stormy to give up his newly discovered treasures. Now in it's fifth year. DGM presents the unearthed treats from the murky, cavernous archives. These have only previously been offered as MP3s, but now, for your delight and fetishization, can be suffered in full FLAC quality. Wow! Take a moment to savor and enjoy another marvellous collection of newly polished gems!

Alex "Stormy" Mundy and DGM present the unearthed treats from the murky, cavernous archives in the Stormy Monday series, some of which have been newly created from the archive of multi-track reels of tape that we just happen to have lying around the place. For 7 years, these have been available only as MP3s, and more recently FLAC, files, and are now available, for the first time on CD for the "landlubbers" among us.

This Japanese box set contains three consecutive entries in King Crimson's live and studio archival releases. The specific volumes in question are the tenth, 11th, and 13th from Discipline Global Mobile's Collectors' Club mail-order-only series covering Live in Central Park, NYC '74, the pre-Krim Discipline: Live at Moles Club, 1981, and the last gasp of the '90s double-trio incarnation on the Nashville Rehearsals, 1997. The July 1, 1974, concert in Central Park was the final King Crimson performance by the '70s quartet. While the recording is very good - not great - the group's spirited musical antics more than make up for any lack of audio fidelity. With the notable exception of "21st Century Schizoid Man," the band draws primarily from material on the Larks' Tongues in Aspic, Starless and Bible Black, and Red albums, respectively…