Steps Ahead (originally known as Steps) is a jazz fusion group. According to the liner notes of the group's debut album, "Steps began as a part-time venture in 1979 at Seventh Avenue South, a New York City nightclub." A second studio recording was made on 17 December 1979, called Step by Step. Smokin' in the Pit was released in 1980 and awarded a gold record. The studio album Step by Step was released shortly after, followed in the summer of 1980 by another live recording called Paradox.
Steps recorded them (and a third, Smokin' in the Pit, also available from NYC) for a Japanese label before becoming Steps Ahead and landing a domestic contract. Step by Step and Paradox feature the same lineup, except that Peter Erskine replaces Steve Gadd on the latter. No disrespect to Gadd intended, but Paradox is the superior album. Recorded live at the now-defunct Seventh Avenue South club in 1981, it finds the band stretching out and taking on more adventurous material. Pianist Don Grolnick weighs in with the smoking bossa "NL 4" and the somewhat epic "Four Chords," while vibraphonist/leader Mainieri gives listeners the dark and mellow "Patch of Blue" and the free bop extravaganza "The Aleph."
Guitarist Kurt Rosenwinkel takes The Next Step in his creative evolution on eight songs that exude several degrees of great jazz. He succeeds in topping the musical tastes presented on his debut release for the Verve label, The Enemies of Energy. Rosenwinkel is one of many young jazz musicians forging ahead into the new millennium with bold musical steps, and the compositions, all of which he wrote, represent the culmination of many life phases for him. First formed as a guitar-bass-drums trio in 1992, Rosenwinkel's band is now a quartet including Mark Turner on tenor saxophone, Ben Street on bass, and Jeff Ballard on drums, all excellent artists in their own right. All four musicians can be heard on The Enemies of Energy, and The Next Step is additional documentation of their relationship as a band.
The closely affiliated Black Saint and Soul Note labels were established in the 1970s by Italian jazz lover Giacomo Pellicciotti, and together they released some of the most forward-thinking jazz recordings on the market during their four decades of independent existence (both labels were acquired by another company in 2008). In 2011, the labels' new owner began releasing a series of budget-priced box sets documenting the complete output of particular artists, each individual disc housed in an LP-style cardboard sleeve. This one features four albums by reedman and noted avant-cool composer Jimmy Giuffre. The box offers three albums (Dragonfly, Quasar, and Liquid Dancers) by the Jimmy Giuffre 4, which included keyboardist Pete Levin, bassist Bob Nieske, and drummer Randy Kaye.
Always at least three steps ahead of contemporary popular music, Can were the leading avant-garde rock group of the '70s. From their very beginning, their music didn't conform to any commonly held notions about rock & roll – not even those of the countercultures. Inspired more by 20th century classical music than Chuck Berry, their closest contemporaries were Frank Zappa or possibly the Velvet Underground. Yet their music was more serious and inaccessible than either of those artists. Instead of recording tight pop songs or satire, Can experimented with noise, synthesizers, non-traditional music, cut-and-paste techniques, and, most importantly, electronic music; each album marked a significant step forward from the previous album, investigating new territories that other rock bands weren't interested in exploring…
Perhaps realizing that The Juliet Letters was one step too far, especially after the willfully eclectic pair of Spike and Mighty Like a Rose, Elvis Costello set out to make a straight-ahead rock & roll record with Brutal Youth, reuniting with the Attractions (though Bruce Thomas appears on only five tracks) and Nick Lowe (who plays bass on most of the rest). Unfortunately, all this nostalgia and good intentions are cancelled by the retention of producer Mitchell Froom, whose junkyard, hazily cerebral productions stand in direct contrast to the Attractions' best work. Likely, Froom's self-conscious production appealed to Costello, since it makes Brutal Youth look less like a retreat, but it severely undercuts the effectiveness of the music, since it lacks guts, no matter how smugly secure it is in its tempered "experimentation."
Along with the Specials, Madness were one of the leading bands of the ska revival of the late '70s and early '80s. As their career progressed, Madness branched away from their trademark "nutty sound" and incorporated large elements of Motown, soul, and British pop. Although the band managed one crossover American hit in 1983, they remained a British phenomenon, influencing several successive generations of musicians and becoming one of the most beloved groups the country produced during the '80s. This box set includes the following albums: One Step Beyond… (1979), Absolutely (1980), The Rise And Fall (1982).
The following albums are included: Hawkwind, In Search of Space, Greasy Truckers’ Party (2CD) Doremi Fasol Latido, The Space Ritual Alive in Liverpool and London (2CD), Hall of the Mountain Grill, The 1999 Party (2CD) and this set also comes with a bonus disc collecting rare single mixes called Of Time and Stars – The Singles…