"Drive Home" is one of the notable cuts on Steven Wilson's brilliant The Raven That Refused to Sing and Other Stories, an album that redefined prog for the 21st century. The song's gorgeous meld of Pink Floyd's nocturnal atmospherics, the Moody Blues' melodic majesty, sprawling guitar solos, and Alan Parsons' crystalline production made it a standout track. This audio and video collection uses the single edit as its title track and leadoff. The set also includes an orchestral version of "The Raven That Refused to Sing" and the song "The Birthday Party" (which was previously only featured on the deluxe book edition of the Raven album).
Steven Wilson is a twice Grammy-nominated producer, writer and performer, best known as founder and front man of British rock band Porcupine Tree. He has also produced and /or mixed albums for artists as diverse as Swedish metal band Opeth, Norwegian chanteuse Anja Garbarek, and progressive rock institutions King Crimson and Jethro Tull. He also co-wrote and sang a track from Pendulum's number one album Immersion. Porcupine Tree’s last album was a top 30 album in both the UK and USA, and the tour climaxed with sold out shows at Royal Albert Hall in London and Radio City Music Hall in New York.
At the end of March 2018, Steven Wilson played a sell-out three night residency at one of the world’s most iconic venues: London’s Royal Albert Hall. The three Albert Hall shows saw Steven and his virtuoso band present the songs from To The Bone and many more from a deep dive into his extensive back catalogue as part of visually and sonically immersive experience. There, brain-twisting visuals met expansive 4D sound, making this most traditional of English venues feel like it was hosting a very different kind of Prom – more communion than concert. It wasn’t surprising that the Sun described the gig as “one of the best shows of the year – and it’s only March”.
Harmonic Divergence is the perfect companion piece to Steven Wilson’s highly acclaimed 2023 album The Harmony Codex. On this very limited nine track release, music from the original album has been remixed and reimagined by Wilson, alongside longtime bandmates/collaborators and like-minded bands and producers. The result is a warped mirror image of the original, where oblique electronics are replaced by spidery gothic guitar riffs and cyclical piano tracks are mutated and transformed for the dance floor.
Initially surfacing as a cassette in 1995, then reappearing later that year as a slightly revised and expanded CD, Flowermix, as the name indicates, consists mainly of remixes from the excellent Flowermouth album. Steve Wilson himself handles almost half the efforts, the rest given over to folks like David Kosten, later of Faultline; Os, aka Andrew Ostler, future partner of Tim Bowness in Darkroom; and Bowness himself. While some mixes concentrate on a dancefloor setting, others take a subtler approach or otherwise seem less concerned with raves as with their own internal logic.
2017 edition in a gatefold mini LP sleeve, featuring the new 2016 master with more sympathetic EQ and minimal dynamic compression, as used for the Delerium Years vinyl box set. It includes the original full length vinyl mix of Phase IV.
The deluxe edition of Steven Wilson's Get All You Deserve includes the entire two-hour Mexico City concert on a pair of CDs plus one DVD and one Blu-Ray. Originally issued only on video, the audio component is highly beneficial for fans for a couple of reasons. For starters, the recording quality is nothing short of stunning. Secondly, these 14 tracks are different versions of those found on a live CD sold only on the Grace for Drowning tour. Given how in-the-moment Wilson's performances can be, and the distinctive nature of shifting arrangements, it's a treat to compare differences between versions. The lineup here is comprised of woodwind/multi-instrumentalist Theo Travis, keyboardist Adam Holzman, bass and stick player Nick Beggs, and drummer Marco Minnemann. Guitarist Niko Tsonev, who replaced Catalog's Aziz Ibrahim, has since been replaced by Guthrie Govan.