This concert film captures R&B legend Curtis Mayfield's appearance at the 1987 Montreux Jazz Festival. The set list consists of a dozen songs including such classics as "Pusher Man," "Freddie's Dead," "People Get Ready," "When Seasons Change," and "It's Alright."
Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized.
Never heard of Jay Owens? Doesn't matter. Owens' obscurity is something the somewhat laborious liner notes go to great lengths to establish, as if it were a badge of honor. The key, however, is the music's timeless soulfulness; after a couple of listens, you'll swear you've been listening to it all your life. For the record, Owens has made noise previously as a touring sideman for such greats as Stevie Wonder, Al Green, Aaron Neville, Etta James and Bobby Womack. But on his debut recording, he moves to center stage with the grace and poise of a veteran. What's more, the dude writes all his own songs. A generous thirteen of them are included on this album, originally released in 1993…
A stunning second set from Hiatus Kaiyote – a group we already loved the first time around, but who really blow us away with this amazing little record! The style is this incredible mix of cosmic keyboards and soulful vocals – but not in a way that's like any of the other oft-tread paths in that combination on the market at all. Instead, the group almost put the keyboards first – working from some Herbie Hancock electric 70s mode, but very much with their own style – then find a key place for the sublime singing of Nai Palm – a vocalist who's got this style that's heavenly, and almost with her own sort of electricity as well. Individual tunes are great, but the whole thing really works together as one long sonic trip – a mindbending journey through tracks that include "Prince Minikid", "Shaolin Monk Motherfunk", "Laputa", "Borderline With My Atoms", "Swamp Thing", "Fingerprints", and "The Lung".
If you are looking for a collection of romantic songs to be played while having a drive or a walk with your romantic interest or even by yourself, this is the one to have: issued by the European Sony/Bravo label, it focuses on the songs who were on the radio in the 80's. If you are a "son of the 80's" and enjoy music to awaken your contemplative and quietest side, buy it! While hard to find outside the US, it is worth having.
Another U.S. jazz group that had to go to a European jazz label to get released on disc. Hadn't heard of Bollenback, but organist Joey DeFrancesco is a top name in U.S. jazz today. A studio in Maryland was used & the original analog tapes were mixed & mastered to DSD in Amsterdam. Bollenback plays in a strongly swinging single string electric style which mates perfectly with the electric sound of DeFrancesco's B3. Bollenback's guitar is recorded up quite close & the B3 bass end has as strong impact.
On his fourth studio effort and first for Blue Note Records, 2017's Parking Lot Symphony, New Orleans singer, songwriter, and brass wizard Troy Andrews (aka Trombone Shorty) fully embraces the organic '70s-style R&B he’s heretofore only touched on. Ever since officially debuting in 2010 with Backatown, Andrews has moved ever closer to that '70s soul aesthetic with each subsequent album. Backatown even featured contributions from both Lenny Kravitz and legendary New Orleans pianist Allen Toussaint. In fact, his previous effort, 2013's Say That to Say This, had a similarly old-school bent courtesy of neo-soul master and co-producer Raphael Saadiq. But for Parking Lot Symphony, Andrews dives into the sound full-force, paired with producer Chris Seefried (Fitz & the Tantrums, Haley Reinhart, Andra Day) on a set of songs that bring to mind the earthy, vinyl-laden vibe of '70s artists like New Orleans own the Meters..