Stray Cats

Everyone can be a hero! Help a cat rescuer take care of her rescuees and root for their adoption! Every cat deserves a chance to be loved. ❤️

There are two quite distinct faces to the world of the rock musician: faces so contrasting that it is little wonder that so many contemporary stars appear at times to have lost touch with any kind of reality. While mass adulation hounds and sometimes even destroys the successful ones, the road to that status remains a golden dream for generation after generation of young people. Show me a boy with an interest in pop music who never once imagined himself as a rock superstar and I’ll show you a liar. Jim Maclaine, the anti-hero of the film STARDUST, was such a boy. To him success as a star was an end in itself, and before he achieved it he never questioned what price he might have to pay for that goal. And it is the way in which he achieves his ambition and the resulting pressures and despairs that are the subject of the film. Jim Maclaine is a fictitious figure, created on screen by David Essex. But the problems he faces are known and understood by all of today’s top musicians. And ironically it is out of these problems that some of the best music of the last decade has sprung. Rock music is to do with contemporary life: with the way in which young people see themselves and their problems. On stage, or in the recording studio, an artist can, by virtue of his creativity, cast aside the self doubts and neuroses which were frequently responsible for much of his success.

There are two quite distinct faces to the world of the rock musician: faces so contrasting that it is little wonder that so many contemporary stars appear at times to have lost touch with any kind of reality. While mass adulation hounds and sometimes even destroys the successful ones, the road to that status remains a golden dream for generation after generation of young people. Show me a boy with an interest in pop music who never once imagined himself as a rock superstar and I’ll show you a liar. Jim Maclaine, the anti-hero of the film STARDUST, was such a boy. To him success as a star was an end in itself, and before he achieved it he never questioned what price he might have to pay for that goal. And it is the way in which he achieves his ambition and the resulting pressures and despairs that are the subject of the film. Jim Maclaine is a fictitious figure, created on screen by David Essex. But the problems he faces are known and understood by all of today’s top musicians. And ironically it is out of these problems that some of the best music of the last decade has sprung. Rock music is to do with contemporary life: with the way in which young people see themselves and their problems. On stage, or in the recording studio, an artist can, by virtue of his creativity, cast aside the self doubts and neuroses which were frequently responsible for much of his success.

This massive, ten-disc, 200-track box set covers a lot of ground. From post-punk and new wave to heavy metal and the paisley underground, the '80s were anything but dull, and Pop Years: The 80s does a nice job of conjuring up images of those old K-Tel record commercials that used to come on between Dance Fever and Solid Gold.

"13" is the thirteenth solo album from American musician Brian Setzer. It was released in 2006 on Surfdog Records, and contained the Japanese hit single "Back Streets Of Tokyo". Setzer had originally intended for the album to have one direction, or sound, but after thinking about how The Beatles' albums were so diverse, he decided to include many different styles on the album. Brian Setzer and Slim Jim Phantom, who appears on "Really Rockabilly", were both in the Stray Cats. "We Are The Marauders" was written by Brian Setzer for the rockabilly band The Marauders, who opened for the Brian Setzer Orchestra in 2006. The song appears on their self-titled album. This Japanese edition contains one bonus track.