Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice – and evident disciple – of Daniel Lanois) with some of McLachlan's strongest songwriting to date…
Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice – and evident disciple – of Daniel Lanois) with some of McLachlan's strongest songwriting to date. At the center of everything was her voice, an ethereal, lilting soprano that helped pave the way for Paula Cole, Lillith Fair, and a decade's worth of successful female songwriters. McLachlan utilized the crack between her chest and head voice, emphasizing the changing tones as her melodies climbed into the vocal stratosphere.
Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice – and evident disciple – of Daniel Lanois) with some of McLachlan's strongest songwriting to date. At the center of everything was her voice, an ethereal, lilting soprano that helped pave the way for Paula Cole, Lillith Fair, and a decade's worth of successful female songwriters. McLachlan utilized the crack between her chest and head voice, emphasizing the changing tones as her melodies climbed into the vocal stratosphere.
Sarah McLachlan's rich voice and haunting, polished songs make her one of my favorite singers, and one whose work I like from beginning to end, from 1989's Touch through Solace, Fumbling Towards Ecstasy, Surfacing, and Mirrorball, to 2003's Afterglow. McLachlan's 1998 appearance on the VH1 Storytellers program gave her the chance to perform a sampling of her songs to a small audience in an intimate setting; it's sure to please any fan of McLachlan's music, whether a devoted fan or a casual listener.
Live Acoustic (Nettwerk) is an EP by Sarah McLachlan. It was released on 31 May 2004 in Canada only. Four of the tracks were recorded live at a "Live from the Lounge" event with Ryan Seacrest for radio station Star 98.7 on 7 October 2003…
In 1996, before she had blown up into the AAA luminary she later became, Sarah McLachlan issued the first volume of Rarities, B-Sides & Other Stuff, which was a nice, albeit remix-heavy, collection of some of the Canadian chanteuse's harder to find material…