L’Orfeo by Claudio Monteverdi (1567–1643) is often described as the first true opera, with good reason: it is made up of five acts, has a large gallery of characters, a detailed orchestral score specifying some forty instruments and, like so many later operas, its libretto is based on a classical myth. Monteverdi’s work thus becomes a sort of matrix for the entire genre – with one exception: the narrative of this ‘tale in music’ is direct, succinct and to the point.
TENET Vocal Artists, NYC’s pre-eminent early music ensemble, releases a CD of the final performance of its Green Mountain Project. For the past ten years, the Green Mountain Project has been made up of some of the best Baroque specialists in the United States for concerts of Claudio Monteverdi’s iconic Vespers of 1610 (Vespro della Beata Vergine). This live recording is a culmination of years of musical collaborations, and a celebration of the artists and supporters who made the past decade of performances possible.
This Savoy compilation features previously unheard recordings by Lester "Pres" Young, one of the greatest tenor saxophonists in jazz history. All taken from sessions recorded in the 1940's, Pres is teamed up with many legends in their own right including trumpeter Harry "Sweets" Edison and the inimitable pianist/band leader Count Basie. This album features multiple takes (four versions of "Salute to Fats" for example) in a wide-ranging survey of Young's early to middle years. Standout tracks include "Ding Dong," an uptempo burner that highlights the fine drumming of Cozy Cole and "Blues 'N Bells," a medium bounce that highlights trombonist Jerry Elliot on a short but superb solo.