Sweet

A rare and collectable 2-on-1 LP, originally released in the 1970s and featuring two top fun groups from that wonderfully colourful decade, is now revived and remastered on one fun-packed CD. The Sweet, regular chart toppers and the ultimate Glam Rock heroes, are represented here by 12 rare tracks, including The Lollipop Man and All You Ever Get From Me . The Pipkins unleashed the highly popular and humorous Gimme Dat Ding , a Top 5 novelty song in 1970. It's featured here with 7 other songs, including Yakety Yak and 2 rare Single B-sides. Booklet features liner notes by respected author and journalist Chris Welch. Expertly remastered, superb sound, top quality reproduction - The best in the business!

SWEET are a phenomenon that has captivated the rock world for decades. Over the years, Sweet have sold more than 55 million records and reached 34 number 1 chart positions worldwide. The golden thread that connects the past with the present and the future is SWEET veteran Andy Scott with all his determination to keep the band's musical legacy, recordings and touring at the highest level. The band today continues to bring together outstanding musicians who deliver the full energy and soaring vocals that are associated with the SWEET sound and are the band's trademark.

The Sweet is a British glam rock band that rose to worldwide fame in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group was originally called Sweetshop. The band was formed in London in 1968 and achieved their first hit, "Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman. During 1971 and 1972, their musical style followed a marked progression from the Archies-like bubblegum style of "Funny Funny" to a Who-influenced hard rock style supplemented by a striking use of high-pitched backing vocals.

Oh, My Girl, the second album by singer/songwriter Jesse Sykes and her band the Sweet Hereafter – led by Phil Wandscher – picks up where her debut, Reckless Burning, left off. Songs are played at cough-syrup tempo, production is sparse, instrumentation equally so, offering just enough of a frame for the melody and lyrics to hang themselves on, and everything, absolutely everything, is underplayed. There is plenty of dynamic tension, but little to no dynamic range. Yes, this is a good thing. Sykes' ghostly voice, which hovers about her words more than inhabits them, has enough old-world folkiness, raw – if intentionally muted – willingness, and lonesome country pain in it to carry off these tunes with authority. Produced, mixed and engineered by multi-instrumentalist Tucker Martine, Oh, My Girl is full of slow, dipping passion, moody expressionism and poetic smarts to make it stand out in a sensual, narcotic way from the rest of the gothic alterna-twang pack. And one more thing: Sykes has more emotion in the grain of her halting, cracking voice than a whole army of Margo Timmins'es – so let the comparisons stop now, please.