Half a century ago, Giuseppe Tartini might have been the only composer of the Italian Baroque most classical music listeners could name. That was thanks to the so-called Devil's Trill, which appears as the final track on disc one of this two-disc set. Here one can experience the "trillo del Diavolo" in its proper place, as the final movement of a three-movement Sonata in G minor for violin and continuo, and within a larger slice of his output: this pairing of two previously released discs also includes a published set of violin sonatas from around the time of the Devil's Trill (around the early 1730s), and several later sonatas with a goodly degree of novelty on disc two. In a way, the rest of the music makes the Devil's Trill seem less remarkable.
It's obvious from the greasy opening blues vibe in "Exodus of Venus," the title track of Elizabeth Cook's first album in six years, that something is very different. Produced by guitarist Dexter Green, this set is heavier, darker, and harder than anything she's released before. Its 11 songs are performed by a crack band that includes bassist Willie Weeks, drummer Matt Chamberlain, keyboardist Ralph Lofton, and lap steel guitarist Jesse Aycock…
In 2012, Canadian pianist, songwriter, and composer Elizabeth Shepherd received a Juno nomination for Best Vocal Jazz Album for Rewind, her bright, wonderfully reimagined collection of standards from the worlds of jazz, pop, cabaret, and French chanson. According to Shepherd, she chose Rewind's standards - which had always been meaningful presences in her world - because she was pregnant, and the songs were the only things not changing in and around her. Two years on, The Signal is a rhythmic and textural shift. This profoundly feminist sociopolitical offering actively engages aesthetics of neo-soul, funk, and hip-hop (musics that have been referred to indirectly on her records since 2008), while remaining firmly rooted in her trademark meld of off-center jazz and pop…
It's obvious from the greasy opening blues vibe in "Exodus of Venus," the title track of Elizabeth Cook's first album in six years, that something is very different. Produced by guitarist Dexter Green, this set is heavier, darker, and harder than anything she's released before. Its 11 songs are performed by a crack band that includes bassist Willie Weeks, drummer Matt Chamberlain, keyboardist Ralph Lofton, and lap steel guitarist Jesse Aycock. The tunes are drenched in swampy electric blues, psychedelic Americana, gritty R&B, and post-outlaw country. Cook has been tried by fire these past few years. She's endured six deaths – including her parents – a divorce, a stint in rehab, and more. It slowed her writing to a crawl. Exodus of Venus is her way of telling that story, and as such, its songs often stray from the narrative storyteller's manner she's previously employed in favor of a more jarring poetic style that still communicates directly.