T. Rex The Albums Collection

"The 500 Greatest Albums of All Time" is a 2003 special issue of American magazine Rolling Stone, and a related book published in 2005. The lists presented were compiled based on votes from selected rock musicians, critics, and industry figures, and predominantly feature British and American music from the 1960s and 1970s. From 2007 onwards, the magazine published similarly titled lists in other countries around the world.

This Deluxe Edition Re-Issue Box Set features all 5 original CARCASS albums, each with Bonus Tracks or Demo Tracks. Each album also includes an Exclusive DVD featuring parts of the "Pathologist's Report" documentary with interviews, videos & more. All 5 Digipak albums are packaged in an Exclusive Slipcase.

The Turtles - Wooden Head (1970) {2017 2CD Edsel Deluxe Remastered Edition EDSK7122}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 391 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 600 dpi (png) -> 461 Mb | 5% repair rar
© 1970, 2017 Edsel Records / Flo & Eddie Inc. / Demon Music | EDSK 7122
Pop Rock / AM Pop / Folk Rock / Sunshine Pop / Psychedelic

The Turtles enjoyed eighteen US hit singles between 1965 and 1970, three of which (“Happy Together”, “She’d Rather Be With Me” and “Elenore”) were also huge hits in the UK. Edsel Records is proud to present the band’s six albums, each as a 2 CD digipak set.

Rhino's three-disc box set The Remains of Tom Lehrer presents 75 tracks from the satirist's four decade career. The first disc concentrates on Lehrer's studio output, including pieces from his 1953 debut Songs by Tom Lehrer and his 1959 album More of Tom Lehrer, as well as a 1996 version of "I Got It from Agnes" and "That's Mathematics," a previously unreleased track from 1993. Disc two gathers his '59 performances at MIT and Harvard, captured on the albums Tom Lehrer Revisited and An Evening Wasted With Tom Lehrer (which offered many of the same selections as their studio predecessors). The third disc is a mix of live and studio tracks, including the material from the album That Was the Year That Was, songs written for PBS's The Electric Company in 1971-72, orchestral versions of songs conducted by Richard Hayman in 1960, and four new songs, including "Selling Out" and "(I'm Spending Hanukkah) In Santa Monica." Song-by-song notes by Lehrer, rare photos, and an essay by Dr. Demento add an extra depth to The Remains of Tom Lehrer making it the ultimate collection of his irreverent social commentary.

The title sets itself up for one hell of a fall, and the ongoing need for a decent Sweet box set is never going to be assuaged by this. But it is what it says on the tin, a 37-strong collection that, OK, they're not all the "Best Glam Rock Songs Ever," but maybe a dozen of them are, and the remainder should at least be invited to the awards ceremony. A dizzying spin through the band's entire RCA catalog, a mass of A-sides, B-sides, album cuts and what-on-earth-were-they-thinking cuts jostle for your attention…

Various Artists - The Nation's Favourite 70s Number Ones (2015) [3CD] {Sony Music}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.57 Gb | MP3 @320 -> 568 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 2015 Sony Music | 0825646152285
Pop / Rock / Disco / New Wave / Folk

With 68 tracks, most of which I thoroughly enjoy listening to, I had to buy this album as soon as I looked to see what new releases were in the shops. It was a particularly good day for me as I also bought three other new releases, so I've got a busy period of reviewing this week. Many of these tracks will be familiar to fans of 70s pop music, and not just in Britain where this compilation was released. Mainstream pop, rock, soul and disco music inevitably dominate, reflecting the tastes of record buyers at the time. I only started collecting records in 1977, but I listened to a lot of pop radio before then so I became very familiar with these songs. Along the way I had forgotten some, but in most cases I'm pleased to be reminded of them.

After the international success of the self-produced "Fox on the Run," Sweet broke away from songwriters Nicky Chinn and Mike Chapman in an attempt to shake their "pop puppets" and took a stab at conquering the hard rock album market. Sadly, a lot of their post-hit singles period output lacked the tight songwriting and hooks that made them famous, and this problem is in evidence on Off the Record…

After recording Level Headed, an album that mostly forsaked their hard rock leanings for pure pop, longtime lead vocalist Brian Connolly left Sweet for good. The rest of the group decided to press on as a trio, combining their pop/rock sound with a variety of other musical styles in a bid to gain a more progressive image. The result was Cut Above the Rest, a bizarre combination of the hard-rocking pop that dominated classic Sweet singles with progressive flights of fancy in a 10cc/Electric Light Orchestra vein, plus a dash of lounge lizard-ish soft rock balladry thrown in to cover all the pop/rock bases…