Known best for their 1984 anthem "Rock You Like a Hurricane" and the 1990 ballad "Wind of Change," German rockers Scorpions have sold over 22 million records, making them one of the most successful rock bands to ever come out of Continental Europe.
Whether it was the immediacy of recording or some other unexplainable element, Bauhaus always thrived when doing British radio appearances, with no less than five of the 18 tracks collected here seeing official release by the band on singles or albums during its first lifetime. That one of these was Bauhaus' biggest-ever British hit, the completely and perfectly over-the-top rendition of Bowie's "Ziggy Stardust," is further testimony to the band's success at the Beeb. The five show appearances here, including both John Peel sessions and guest spots with other DJs, make for an excellent sampling of the band in many different guises, from obscure rarities to redone versions of some of Bauhaus' most successful songs.
The winner of the 1970 Eurovision Song Contest, where she represented her homeland, Ireland, singer Dana was born Rosemary Brown in Islington, London, on August 30, 1951. Her family had relocated to the U.K. the previous year from their home in Derry, Northern Ireland, and they returned there when Dana was five. The following year, the little girl won the first of many talent contests and, shortly before her 16th birthday, she was signed to the Decca label's Rex subsidiary.
Swing the Heartache: The BBC Sessions is a Bauhaus compilation, released in 1989.
In some ways, the Sweet epitomized all the tacky hubris and garish silliness of the early '70s. Fusing bubblegum melodies with crunching, fuzzy guitars, the band looked a heavy metal band, but were as tame as any pop group. It was a dichotomy that served them well, as they racked up a number of hits in both the U.K. and the U.S. Most of those hits were written by Nicky Chinn and Mike Chapman, a pair of British songwriters that had a way with silly, simple, and catchy hooks. Chinn/Chapman and Sweet were smart enough to latch on to the British glam rock fad, building a safer, radio-friendly and teen-oriented version of Queen, T. Rex, and Gary Glitter.
Best known for his string of late-'80s MOR blues-pop hit singles, Middlesbrough's biggest musical export Chris Rea has spent the best part of the noughties reinventing himself as a Tom Waits-esque troubadour with a series of ambitious and often gargantuan-sized albums focusing on the vintage slide guitar blues sounds that influenced his hugely successful 30-year career. More up to date than 1994's The Best Of and more extensive than 2005's Heartbeats, Still So Far to Go is the husky-voiced guitarist's first hits collection to place as much emphasis on his later more revered and prolific output as his more familiar and commercial airplay staples. Spanning four decades, the comprehensive two-CD, 34-track compilation features material from his 1978 debut Whatever Happened to Benny Santini? (his biggest U.S. hit, "Fool [If You Think It's Over]") right up to 2005's mammoth 11-disc offering Blue Guitars ("Somewhere Between Highway 61 & 49"), including the 1996 soundtrack La Passione ("When the Grey Skies Turn to Blue") to his self-penned film of the same name.