By 1979, Queen was considered among rock's elite class, and rightfully so. With a string of hit albums, singles, and sold-out tours to their credit, the group was about to enter a new musical phase of its career with 1980's mega-hit The Game…
It's a mystery if Queen played both I'm A Man and Mannish Boy during this tour or not. These two songs are similar to each other and while it seems very likely they played I'm A Man as the first encore, rumours say the band also played Mannish Boy in Glasgow (the second night).
Queen played three sold-out shows at the legendary Rainbow Theatre, Finsbury Park, North London, in 1974. The first was in March, the crowning glory of the Queen II tour; the band then returned for two more nights in November as part of the Sheer Heart Attack tour. 1974 was a year of high achievement for Freddie, Brian, Roger and John; as well as releasing two albums, from which came their first two hit singles, “Seven Seas Of Rhye” and “Killer Queen,” the latter charting all around the world, they completed major tours across the UK, America and Europe. Queen dazzled their audience with an unforgettable show delivered with a skill and confidence which belied their youth. The tape machines were rolling, capturing the highly energetic performances. To mark the 4oth anniversary of these legendary shows, here, finally, is Queen at the Rainbow; lovingly restored, mixed and digitally mastered, and including material never previously available.
Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.
Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece…
When we last left Harry Christophers and his cracker jack a cappella chorus the Sixteen, they were making fabulous recordings for the wonderful Collins label. But that was back in the halcyon days of the CD boom, those far off times called the '90s, when everyone with a little capital and a lot of taste could start a record label. Back in the '90s, Christophers and the Sixteen made more than a dozen wonderful recordings for Collins, among them one of the most moving recordings of Henry Purcell's Music for the Funeral of Queen Mary ever made. But the digital boom went bust and so did Collins, taking with it all of Christophers and the Sixteen's discs.