Talk The Walk

For many investors, Warren Buffett needs no introduction, but This video was able to get unparalleled access to the man and his empire. This video special report, Warren Buffett: The Billionaire Next Door.

The third season of the American science fiction television series The X-Files commenced airing on Fox in the United States on September 22, 1995, concluded on the same channel on May 17, 1996, and contained 24 episodes. The season continues to follow the cases of FBI special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.

The season features the conclusion of several plot-lines introduced in season two, while also introducing several new plot elements. Major plot arcs include an elaborate conspiracy being discovered when a fake alien autopsy video is acquired by Mulder, Scully's search for the killer of her sister, and the mystery surrounding X (Steven Williams). Pivotal characters such as the First Elder (Don S. Williams) and the alien virus black oil were first introduced in this season. In addition, the season features a wide variety of "Monster-of-the-Week" episodes, which feature stand-alone stories not of influence to the wider mythology of the series.

The least popular of Alfred Hitchcock's late-'50s thrillers – perhaps because it is really a comedy – The Trouble with Harry also has the least well-known of the scores that Bernard Herrmann wrote for Hitchcock's movies. All of that is a shame, because – in keeping with the comedic nature of the movie – Herrmann assumed a lighthearted and upbeat, ironic mask that led to some of the most gorgeous and hauntingly beautiful music of his career; the composer himself clearly felt a fondness for it, as he revived it in 1968 as the basis for his "A Portrait of Hitch." The reed and horn passages are playful and ironic, and the signature string part, bridging the small-town innocence of the movie's setting, is one of the finest things that Herrmann conceived. It all makes for delightful listening, and is some of the best programmatic music to come out of Hollywood in the 1950s. The performance by Joel McNeely and the Royal Scottish National Orchestra is of excellent quality, capturing the finest nuances of the score, and the recording does it full justice.