Tchaikovsky Piano Concerto No. 1 Vladimir Ashkenazy

Joshua Bell - Complete Decca Recordings [14CDs Box Set] (2024)
MP3 320 Kbps | Run Time: 00:15:09:09 | 2.04 Gb
Genre: Classical | Label: Decca Eloquence

Un virtuoso del nuevo mundo con musicalidad del viejo mundo: las grabaciones completas de Decca de JOSHUA BELL, capturando la primera década de la carrera del violinista registrada. Decca firmó a Joshua Bell, de diecinueve años, en 1986 sobre la base de cintas de concierto hechas en privado. Bell había tomado un violín por primera vez a la edad de cuatro años, pero había estado tomando el instrumento en serio durante menos de una década. Su musicalidad y aptitud técnica fueron nutridas y entrenadas por Josef Gingold, un alumno de Eugène Ysaÿe.

Joshua Bell - Complete Decca Recordings [14CDs Box Set] (2024)
MP3 320 Kbps | Run Time: 00:15:09:09 | 2.04 Gb
Genre: Classical | Label: Decca Eloquence

Un virtuoso del nuevo mundo con musicalidad del viejo mundo: las grabaciones completas de Decca de JOSHUA BELL, capturando la primera década de la carrera del violinista registrada. Decca firmó a Joshua Bell, de diecinueve años, en 1986 sobre la base de cintas de concierto hechas en privado. Bell había tomado un violín por primera vez a la edad de cuatro años, pero había estado tomando el instrumento en serio durante menos de una década. Su musicalidad y aptitud técnica fueron nutridas y entrenadas por Josef Gingold, un alumno de Eugène Ysaÿe.

In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

A luxurious and authoritative 64CD orchestral and concerto set, celebrating one of the world’s great orchestras and their 64-year relationship with Decca Classics. Few labels can claim to be so associated with a city as inextricably as Decca is with Vienna. No history of classical recordings would be complete without a chapter documenting how both Decca and the WP worked to perfect the art of recording in the city’s great concert halls, most notably in the famous Sofiensaal.

John Ogdon was undoubtedly one of the most remarkable pianists to emerge in the post-war period. His phenomenal ability to perform and interpret even the most complex works at first sight alone places him amongst an elite in the history of pianism–Charles Hopkins