Ten Years After A Space In Time

Warhammer 40000 Dawn of War II Retribution (2011)
PC GAME | Lenguages: English | Developer: Relic Entertainment | Publisher: THQ | 6.11 GB
Genre: Tactical role-playing game

Taking place years after the events in Dawn of War II: Chaos Rising, this title allows players to choose their perspective with the first multiple-race single player campaign in the Dawn of War II series. In addition to the multi race single player campaign, Dawn of War II — Retribution also features new multiplayer units, maps and the new playable Imperial Guard faction when it ships. It is ten years since the events of Chaos Rising and Sub-Sector Aurelia has been in a constant state of warfare with the Imperium struggling to retain control. The apparent betrayal of the chapter by Gabriel Angelos and his Space Marines has shaken the Blood Ravens and now the Imperial forces are beset on all sides by hostile aliens. Retribution allows the player to select the race of their choosing in a battle to determine the very survival or destruction of the entire sector.

Richard Strauss - Orchestral Works
Tonhalle Orchestra Zurich / David Zinman
7xCD | EAC+LOG+CUE | FLAC: 1,98 GB | Artwork: 142 MB | 5% Recovery Info
Label/Cat#: Arte Nova # 74321 98495 2 | Country/Year: Germany 2003
Genre: Classical | Style: Romantic, Early 20th Century

"…Seven CDs is undoubtedly a major collection. There will inevitably be some frustrations that the enterprise was not more thorough in terms of repertoire, and as discussed, there are some howling omissions. Having made the point, let me conclude by acknowledging the high standards of performance and recording that lie at the heart of this set. While there may be a few regrets that it is not as comprehensive as it might (as it ought to?) have been, what we do have is undoubtedly well worth having." ~musicweb-international

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own…

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own.

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own. The album boasted extended compositions, some of them ("Time Was," "Sometime World") actually medleys of different tunes, played with assurance and developing into imaginative explorations of new musical territory and group interaction.

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own. The album boasted extended compositions, some of them ("Time Was," "Sometime World") actually medleys of different tunes, played with assurance and developing into imaginative explorations of new musical territory and group interaction.