Roger Waters' tours of the U.S. during the summers of 1999 and 2000 were a pleasant surprise, since the reclusive rocker had not toured since 1987. In his liner notes to this two-CD set drawn from those performances, Waters does not shy away from discussing his antipathy to big concert venues. But he makes a distinction between stadiums and arenas, and he also notes that he found himself becoming more comfortable in the role of a frontman. This more personable Roger Waters isn't what comes across on the album, but the closer relationship he perceives to his audience is nevertheless palpable. As the man who wrote Pink Floyd's lyrics, he is far more concerned with their meaning than his old bandmates, and his singing is emphasized without robbing the music of its magisterial power. In fact, with a band boasting several guitarists to make up for the lack of David Gilmour, Waters effectively re-creates the sound of his Pink Floyd work, which dominates the set list…
Much more than the usual greatest-hits package, Collection is a well-thought-out compilation of the very best tracks of Edgar Winter's career. Obviously, his radio hits are here. "Frankenstein," "Free Ride," and "Hangin' Around" were all staples of mid-'70s AM radio. But Rhino Records doesn't kick this set off with any of the "hits," choosing to rock things up with a track from Edgar Winter's White Trash, "Give It Everything You've Got," before moving into the mellow blues of "Easy Street," highlighted by Winter's jazzy saxophone work. Also included are the excellent antiwar ballad "Dying to Live" and the melodic and catchy "Diamond Eyes" and "Round and Around." All in all, this is a definitive buffet of Winter, but don't let that stop you from sampling the original platters.
After a five-year hiatus, singer/songwriter Laura Nyro returned with Smile in 1976. On this disc, Nyro's somewhat idiosyncratic writing and performance style is decidedly subdued. In its stead is a light pop and jazz feel similar to that of Maria Muldaur's mid-'70s recordings. Supporting Nyro instrumentally is virtually a who's who of New York and Los Angeles studio stalwarts. While the prowess of folks like Will Lee (bass), brothers Randy Brecker (trumpet) and Michael Brecker (flute/sax), Hugh McCracken (guitar), and Rick Marotta (drums) certainly strengthens Nyro's already laid-back material, it likewise reduces her to sounding like a Joni Mitchell ripoff. The undeniable highlight of Smile is the maturity in the songwriting. It becomes obvious that the half-decade away has done some significant good in revealing a decidedly positive evolution in Nyro's approach to her own life. What's more is that the material on this album seems to come from a place of contentment.
This is the definitive collection: all 711 master recordings as released during Elvis’ lifetime, mastered from the original analog master tapes where available. Each recording has been carefully restored to achieve the best sound reproduction ever without compromising the audio quality of the original master. The collection also contains 103 additional rare recordings and a 240-page hardbound book featuring an annotated discography, original album artwork, rare and classic photos, a complete song index and an essay by Peter Guralnick. Housed in a beautiful, limited edition display case, THE COMPLETE ELVIS PRESLEY MASTERS is an indispensable piece of music history and the one collection no true connoisseur should be without.
Since their singles have always been as well chosen as they were well crafted, Total Pop! The First 40 is top-shelf Erasure the whole way through, displaying the evolution of the synth pop band through representative singles. This Total Pop Deluxe Box features the original two-CD Total Pop! with all the synth pop duo’s singles in chronological order, and then adds material geared toward the truly devoted Bell/Clarke aficionado. Besides an expanded booklet, the box adds a bonus live CD, plus a DVD of the duo's mostly flamboyant performances on the BBC television network.