The 99

Curated by DJ/production duo Blank & Jones, the So80s ("So Eighties") series compiles 12" versions and rare B-sides of artists who had their heyday in the '80s. This collection features classic extended mixes of some of OMD's biggest tracks including 'If You Leave', 'Telegraph', 'Dreaming', 'So in Love', 'Tesla Girls' and many others. While the tracks were selected by Blank & Jones, none of the titles were mixed by them.

This is an amazing CD reissue, three times over - for psychedelic music buffs, British R&B and soul enthusiasts, and fans of the progressive rock band Gentle Giant (which evolved out of Simon Dupree & the Big Sound). And it's also incredibly long overdue. Best-known for their Oriental ersatz pop-psychedelic classic "Kites," Simon Dupree & the Big Sound actually started out as a blues and R&B-based outfit, not too different from the Spencer Davis Group. This double-CD set covers their complete EMI output, most of which has never been reissued, and almost all of which is very impressive (and even manages to intersect obliquely with Apple Records' orbit). The group's early soul-oriented sides are killers, exciting, totally convincing pieces of British-made R&B that, in the case of "Love" and "Medley: 60 Minutes of Your Love/A Lot of Love," should have placed them head-to-head with the likes of Steve Winwood and the Spencer Davis Group…

1985's Love displayed a marked improvement over the Cult's early material, and though it remains underappreciated in America (worldwide it was a smash), this exceptional record has actually aged better than the band's more notorious (and equally important) releases: Electric and Sonic Temple. Equal parts psychedelic hard rock and new wave goth, the songs on Love emanate a bright guitar sheen, tight arrangements, crisp drumming, and a command performance from vocalist Ian Astbury, who as usual says a lot more with less than most singers…

It’s been almost a decade since Casey Crescenzo brought The Dear Hunter - both the band and the character of the same name - to life with his 2006 debut full-length, Act I: The Lake South, The River North. This record revealed Crescenzo’s incredibly inventive and ambitious musical flair, something which has been evolving ever since. The two albums which followed - 2007’s Act II: The Meaning Of, And All Things Regarding Ms. Leading and 2009’s Act III: Life And Death - cemented the artist as a maverick, idiosyncratic talent whose music, while fitting a modern aesthetic, was also from a bygone era. Act I/Act II: This is the story of a boy, from his creation to his untimely end; from the beautifully rapturous to the truly tragic. The Dear Hunter sings of something to which we can all relate: lust, deceit, greed, and hunting…

Sly and the Family Stone were an American rock, funk, and soul band from San Francisco, California. Active from 1966 to 1983, the band was pivotal in the development of soul, funk, and psychedelic music. During the late '60s and early '70s, Sly Stone and his family of funkateers were one of the most popular outfits in the U.S. and beyond. Their blend of classic Soul and future Funk created the blueprint that many other bands still follow over four decades later. This box includes great albums like A Whole New Thing (1967), Dance To The Music (1968), Life (1968), Stand! (1969) and There's A Riot Goin' On (1971).

Japanese original release. Box set release from The Millennium consisting 8CDs featuring unreleased tracks of the band, each member's solo works (Curt Boettcher, Sandy Salisbury, Lee Mallory), the first album "Begin," and a rare album "Pieces."
Influenced by psychedelia and California rock, pop/rock producer Curt Boettcher (the Association) decided to assemble a studio supergroup who would explore progressive sounds in 1968. Millennium's resultant album would find no commercial success and only half-baked artistic success, but nonetheless retains some period charm. Influenced in roughly equal measures by the Association, the Mamas and the Papas, the Smile-era Beach Boys, Nilsson, the Left Banke, and the Fifth Dimension, Boettcher and his friends came up with a hybrid that was at once too unabashedly commercial for underground FM radio…