The A Cappella Singer Who Lost Her Voice

Welcome to this month’s free 15-track CD – exclusively curated for Uncut by Lankum. The band developed in Dublin’s traditional music clubs, but have long tapped into wider international networks of punk, drone, electronica and black metal. They’ve now become inspirations themselves, leading a scene pushing traditional music to the very edges and, as they discuss in their feature in this month’s issue of Uncut, they’re proud to bring new and emerging talents to attention outside of Ireland.

What these sound recordings attempt to do is to bring you face-to-face — or, perhaps more appropriately, sound to-heart — with actual works of the troubadours and, occasionally, of others in their circle of influence. The task is daunting for so many reasons: songs got written down decades, even centuries, after their dates of creation; only about ten percent of the original melodies survive; and most direct knowledge of how performers worked out their interpretations at the time has been lost. We know nothing whatsoever about the singing style, or about the techniques of instrumental accompaniment that may have been employed. These performances, therefore, of necessity, reflect a confluence of musicological and philological knowledge with performers' instincts and intuitions, as all of these tendencies interacted with each other at a specific moment in history, the late twentieth century.