Vulture Culture's theme is another in which the fallacy of humankind is front and center. This time Parsons' message concerns the fact that everyone lives in a parasitic society, where it's every man for himself…
Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence – will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth – with enough knotty intelligence to make it a seminal text of late-'70s geeks…
Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence - will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth - with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this…
Stereotomy is the ninth studio album by The Alan Parsons Project, released in 1985. Although sometimes considered better musically than its predecessor, Vulture Culture, it was not as successful commercially, perhaps due to many fewer vocals from Eric Woolfson (he only appears on a small section of the title track). The album is structured differently from earlier Project albums, containing three lengthy tracks - ""Stereotomy" at well over seven minutes, "Light of the World" at well over six minutes, and the instrumental "Where's the Walrus?" running just over seven and a half minutes (making it the longest instrumental the Project ever made) and two minute-long songs at the end.
Stereotomy is the ninth studio album by The Alan Parsons Project, released in 1985. Although sometimes considered better musically than its predecessor, Vulture Culture, it was not as successful commercially, perhaps due to many fewer vocals from Eric Woolfson (he only appears on a small section of the title track). The album is structured differently from earlier Project albums, containing three lengthy tracks - ""Stereotomy" at well over seven minutes, "Light of the World" at well over six minutes, and the instrumental "Where's the Walrus?" running just over seven and a half minutes (making it the longest instrumental the Project ever made) and two minute-long songs at the end.
Pyramid is a progressive rock album by The Alan Parsons Project. It was released in 1978. At the time this album was conceived, interest in pyramids and so-called pyramid power was very popular. A pyramid could be found on the back of a dollar bill, there were stories in the newspapers about the supposed magical properties of pyramids and of course, the cover of The Dark Side of the Moon (in which Parsons was the sound engineer).