Thirteen hours of unreleased and ultra-rare music. The Eternal Myth Revealed is a 14 disc docu-biography of Ra's life and career, from his birth in 1914 up to 1959. In addition to his own music, it includes music he was influenced by, and a lot of stuff he may or may not have had a hand in as arranger, vocal coach, pianist or something else. Sun Ra's output was as prolific as Ellington's, and discographers have had nightmares and arguments attempting to document it accurately.
Thirteen hours of unreleased and ultra-rare music. The Eternal Myth Revealed is a 14 disc docu-biography of Ra's life and career, from his birth in 1914 up to 1959. In addition to his own music, it includes music he was influenced by, and a lot of stuff he may or may not have had a hand in as arranger, vocal coach, pianist or something else. Sun Ra's output was as prolific as Ellington's, and discographers have had nightmares and arguments attempting to document it accurately.
Mention Nashville and the first thing that enters most minds will be Country Music and the Grand Ole Opry. Then again, for true believers the city is also the nation’s centre for Bible publishing. Perhaps less well-known but in striking contrast to God and double-knit suits is that throughout the late 1940s and 1950s, Nashville was also the home of a thriving blues and R&B recording industry. Principal among the labels were Bullet, Republic, Tennessee, Nashboro and Excello, with a welter of smaller ones such as World, Mecca, J-B and Cheker.
Features the high-fidelity SHM-CD format (compatible with standard CD players). Brand new digital remaster. A pair of modern moments from George Russell – back to back on a single CD! Stratusphunk is not "phunk", in the way you might think of "funk" – but an album that sets a whole new standard for modern jazz in the 60s – thanks to the fresh ideas of George Russell! Russell's in his best modal mode here – and there's a highly rhythmic construction to most tunes – layers that build beautifully, and which have a sharper edge than some of George's earlier work in the 50s – a balance that's better heard than described by our words, and which is completely compelling right from the start.
Big Apple-based Scepter Records was among the handful of independent labels to have survived the British Invasion of the 1960s. Their longevity was rooted in a solid roster with something for every taste, ranging from the intricate harmonies of R&B vocal girl groups to loose raucous frat rock with practically everything in between. Remarkably, Scepter was not helmed by a business-savvy entrepreneur or a veteran music industry renegade. In fact, a middle-aged suburban housewife and mother was actually behind the scenes calling the shots. At the insistence of her daughter Mary Jane, Florence Greenberg was introduced to four of Mary Jane's mates who had performed in their school's talent show.