The Dark Valley

Trevor Alfred Charles Jones (born March 23, 1949) is a composer of South African descent, active in the field of film and television dubbing, mainly in the UK. He is best known for his work from the 1980s and 1990s, having written music for many famous films, including Excalibur, Runaway Train, Dark Crystal, Labyrinth, Mississippi on Fire, The Last of the Mohicans, and In the Name of the Father. He has been recognized for his collaborations with such filmmakers as John Boorman, Andrei Konchalovsky, Jim Henson, Alan Parker, Jim Sheridan, Barbe Schroeder and Michael Mann.

Trevor Alfred Charles Jones (born March 23, 1949) is a composer of South African descent, active in the field of film and television dubbing, mainly in the UK. He is best known for his work from the 1980s and 1990s, having written music for many famous films, including Excalibur, Runaway Train, Dark Crystal, Labyrinth, Mississippi on Fire, The Last of the Mohicans, and In the Name of the Father. He has been recognized for his collaborations with such filmmakers as John Boorman, Andrei Konchalovsky, Jim Henson, Alan Parker, Jim Sheridan, Barbe Schroeder and Michael Mann.

An inside look into Thames Valley Police's largest murder investigation in years as they try to find the murderer of a 21-year-old Kyron Lee who was knocked off his bike, chased and stabbed to death, with the only evidence being a body, CCTV of five masked suspects and a stolen vehicle.

Hazen is an episodic Action/RPG The first episode is named "The Dark Whispers" and will bring some freshness in the world of Hack'n Slash Games. Every single episode will be a "Stand alone" game with enough game-play and high re-play value.

Doug Sahm is one of the great figures in 20th century American music, which isn't quite the same thing as saying he's one of the best-known musicians. As the frontman of the Sir Douglas Quintet, he had a Top 20 hit with the garage rock classic "She's About a Mover" in 1966 and a Top 30 single with "Mendocino" three years later, but after that he settled into a small but intensely devoted cult following. Not that there weren't attempts to break him on a wider scale – after the Quintet broke up, Atlantic launched a publicity blitz for a pair of solo albums in 1973 – but they never quite clicked, probably because Sahm's music, no matter how brilliant it was, never was popular music. It was a wild, wooly blend of rock & roll, soul, country, blues, and Tex-Mex, as informed by the sunny vibes of hippiedom as it was by the rowdy spirit of garage rock. Sahm created this sound with the Sir Douglas Quintet in the late '60s and over the next three decades he never strayed from it, but those records that the band released between 1968 and 1971 (plus 1973's rarities round-up Rough Edges) remained at the core of his legacy, and for good reason: not only did they illustrate the breadth and depth of Sahm's ambition, they're simply dynamic rock & roll, truly visionary American roots music.

An album of world premiere recordings of works written to accompany poems by celebrated Irish novelist and poet James Joyce, Desmond Earley and the University Choral Scholars of University College, Dublin release their fourth album on Signum Classics.