Changesbowie is a CD greatest-hits collection that revamps the original Changesonebowie by adding selections from David Bowie's late-'70s and early-'80s albums. Consequently, it functions as a definitive single-disc introduction to Bowie, featuring all of his major hits from "Space Oddity," "Changes," "Ziggy Stardust," "Jean Genie," and "Rebel Rebel" to "Heroes," "Ashes to Ashes," "Let's Dance," "Modern Love," and "Blue Jean." One complaint: It wasn't necessary to substitute the "Fame '90" remix for the original to hook completists, since it is inferior and was already issued as a separate single.
Blue Suede Shoes: A Rockabilly Session was a concert that was held on 21 October 1985 in London England, and featured rock n' roll pioneer Carl Perkins and his house band, along with friends as guest stars, including Eric Clapton, former Beatles George Harrison and Ringo Starr, as well as Dave Edmunds who acted as musical director for the show. Most of the repertoire performed in the concert consisted of Perkins' classic rockabilly songs from the 1950s. The concert special was originally broadcast on Cinemax in 1986 with introductory comments by Johnny Cash, Roy Orbison, and Jerry Lee Lewis.
Carol Kaye is an American musician, who is one of the most prolific and widely heard bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years. Kaye began playing guitar in her early teens and subsequently performed regularly on the Los Angeles jazz and big band circuit. She started playing sessions in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jones and Lalo Schifrin, and began to release a series of tuition books such as How To Play The Electric Bass.
Pianist and composer Ramsey Lewis has been a major figure in contemporary jazz since the late 1950s, playing music with a warm, open personality that's allowed him to cross over to the pop and R&B charts. Lewis was born in Chicago, Illinois on May 27, 1935, and was introduced to music by his father, who directed the choir at a local church and enjoyed the music of Duke Ellington and Art Tatum. Lewis began studying the piano when he was four years old, and was soon accompanying the choir at Sunday services. At the age of 15, he joined a jazz combo called the Cleffs, who played at parties and dances. Lewis was interested in a leaner, more bebop-oriented sound, and when the group splintered after several members joined the military, he formed the Ramsey Lewis Trio with two other former Cleffs, bassist Eldee Young…
The forthcoming David Bowie ‘era’ box set which covers most of the 1990s will be released in late November. Brilliant Adventures will be an 11CD box set or a 18LP vinyl box.
Stevie Ray Vaughan became the biggest new star in the blues and an overnight guitar hero after the release of his 1983 debut album Texas Flood. But Vaughan played on an even bigger hit album that same year; he was the lead guitarist on the sessions for David Bowie's commercial comeback Let's Dance, and was originally slated to tour as part of Bowie's backing band. Last minute disputes led to Vaughan dropping out of Bowie's group, with Earl Slick taking his place for the Serious Moonlight Tour, which became one of the year's biggest concert draws. Space Oddity was recorded during rehearsals for the tour, shortly before Vaughan dropped out, and gives fans an opportunity to hear how these tunes from Bowie's catalog would have sounded on-stage with Vaughan lending his skills to the performances. In addition to Let's Dance selections such as "China People," "Cat People," and the title track, the set list includes a number of Bowie classics, including "Heroes," "Golden Years," "Life on Mars," "Scary Monsters," "Look Back in Anger," and many more.
Since Home Plate brought Bonnie Raitt within shooting distance of the Top 40, thereby being the greatest chart success she yet attained, it made sense that she re-teamed with its producer Paul A. Rothchild for its follow-up, Sweet Forgiveness. Rothchild's modus operandi remains slickness, but he has backed away from his fondness for studio musicians, letting Raitt record the majority of the record with her touring band (who only were spotted occasionally throughout Homeplate).