Their third album in as many years, Binker Golding and Moses Boyd are trailblazers in arguably the most exciting jazz explosion London has ever witnessed. 10 new tracks featuring a giant wealth of talent alongside Binker and Moses themselves, (including UK free jazz legend Evan Parker and one half of Yussef Kamaal), this album captures a moments 45 minutes when spontaneity and composition combine to magical effect. It's a companion piece to 'Journey' but with a different energy - as North London is to South London, as West is to East.
The album is punctuated by three duo improvisations between Lehman and Taborn, who manage to interact in a way that feels authentic and heartfelt while staying utterly contemporary. And here again, Lehman makes a statement; demonstrating intimate familiarity with 60 years of experimental saxophone vocabulary – from Eric Dolphy and Anthony Braxton to Arthur Blythe and Evan Parker – and making a compelling case for its integration into a modern-day concept of the classic alto saxophone quartet album. The People I Love is a record that bears witness to a new openness in Lehman's music. Unedited rehearsal tapes (“A Shifting Design”) and joyous laughter at the end of a take are all left on the track – inviting the listener to take a look behind the curtain at where the music comes from. The result may be his most mature artistic statement to date.
2009 album from the acclaimed British vocalist and former member of Japan. David Sylvian is a man apart. In a thirty-year career that spans the New Romantic movement, ambient works and Progressive Rock, and mature and esoteric Pop, Sylvian has tested popular styles and bent them to his own vision. On Manafon, Sylvian pursues "a completely modern kind of chamber music. Intimate, dynamic, emotive, democratic, economical." In sessions in London, Vienna, and Tokyo, Sylvian assembled the world's leading improvisers and innovators, artists who explore free improvisation, space-specific performance, and live electronics. From Evan Parker and Keith Rowe, to Fennesz and members of Polwechsel, to Sachiko M and Otomo Yoshihide, the musicians provide both a backdrop and a counterweight to his own vocal performances.
Originally released in 1970, 4 Compositions for Sextet was one of a pair of records saxophonist Tony Oxley recorded for CBS, which, at that time, seemed to be very interested in British free jazz – the label also recorded at least three LPs by avant guitarist Ray Russell and a pair by Evan Parker. Oxley's band for this outing was a dream group of Brit outsiders: Derek Bailey on guitars, Kenny Wheeler on trumpet and flügelhorn, Evan Parker on saxophones, Oxley on drums of course (the only British drummer besides Robert Wyatt who could play pop or free jazz with equal enthusiasm), Paul Rutherford on bass, and Jeff Clyne on trombone.
Dave Holland and Evan Parker go way back, having first met during the British jazz avant-garde’s early flourishing in the 1960s. To have the bassist and saxophonist renew their lengthy acquaintance in a recording studio is notable enough, but to make matters more intriguing, they’ve hooked up on this double-disc set with two players of a younger generation and a similar free spirit, keyboardist Craig Taborn and drummer-percussionist Ches Smith. Only three of the 23 tracks were pre-written; the rest are free improvisations, titled according to their instrument combinations.