The Grand Slam

Since Phil Lynott's Grand Slam never issued an album during their brief career, some assume that the group never saw the inside of a recording studio. But as proven by the double-disc set, Studio Sessions, this assumption is false. Compiled from tapes from the group's keyboardist, Mark Stanway, Grand Slam saw Lynott attempting to update Thin Lizzy's guitar-driven hard rockin' style, with more of an emphasis on keyboards/electronics and pop melodicism. Several of these tracks would later appear elsewhere (on recordings by Lizzy alumni Gary Moore and a Lynott solo single), but it was with Grand Slam that Lynott first tried out such tunes as "Nineteen" and "Military Man," both included here in their original form.

The difference with this album and Rare Earth's previous release in 1978 is that the Grand Slam LP featured a Barry Gibb and Albhy Galuten tune with no input from those two individuals. The addition of Barry Gibb, Maurice Gibb, and Robin Gibb on "Warm Ride" off this quick follow-up features the Bee Gees singing, and it's that extra attention which made this the last of Rare Earth's half-a-dozen 1970s hits. What was really needed, though, was production from Barry, Robin, Maurice, and their partners in crime, Karl Richardson and Albhy Galuten, skills which might've brought the single "Warm Ride" further up the charts…

This raw-boned LP captures Slim's unpretentious houserocking sound about as well as any studio set possibly could. Among its highlights: the hard-shuffling "Early Every Morning," and a surreal "Scuffling," and Slim's tribute to his late pal Magic Sam, "She Belongs to Me."