The Great War of Our Time

‘Music expresses that which cannot be put into words and yet cannot remain silent’, wrote Victor Hugo in 1864. Half a century later, his words had never felt more pertinent. Every composer writing during World War I found a unique way, through their music, to describe and protest against the horrors that were tearing civilization apart.

From August 1914 to November 1918, an unprecedented catastrophe gripped the world that continues to reverberate into our own time. World War I was touched off by a terrorist act in Bosnia and all too quickly expanded far beyond the expectations of those who were involved to become the first "total war"—the first conflict involving entire societies mobilized to wage unrestrained war, devoting all their wealth, industries, institutions, and the lives of their citizens to win victory at any price.

HISTORY is proud to present the definitive collection of documentary programs on World War One. Experience the world-changing events from the birth of what became known as The Great War to the tragic, final day where over 13,000 men died.

This, one of Tippett's earliest acknowledged works, is one of his most popular. The music relates the true story of a young German Jew who, terrified and enraged at the treatment of his mother, kills a Nazi officer and touches off a violent pogrom. Tippett adopts the structure of Bach's Passions, in which arias alternate with choruses and Lutheran hymns (chorales), although in place of the chorales Tippett substitutes magnificently moving Negro spirituals. "A Child of our Time" offers music of rage, poignancy, and deep compassion. As the title itself implies, it is both specific to a certain time and place, and universal as well. No lover of classical music can afford to ignore it.