The Green Future

The Green Album is the debut album by English rock musician Eddie Jobson, released by Capitol Records in 1983. It is officially credited to Eddie Jobson and Zinc, Zinc being identified in press releases as a backing band consisting of Michael Cuneo (guitars), Jerry Watts (bass), and Michael Barsimanto (drums); however, none of the members of Zinc played on more than half the songs on the album, and only four tracks feature the entire group…

Within a month after finishing "The Green Manalishi" - Peter Green’s swansong as guiding creative force behind the earliest version of Fleetwood Mac - he departed the group to record with a rhythm section. What emerged was his first solo album, "The End Of The Game" and it was as much a departure from "The Green Manalishi" as that same track had been from the rest of Fleetwood Mac’s entire output. Through three tracks per side, Green pursued a far looser strand of improvisational rock comprised of wholly instrumental outings that were entirely un-bluesy, extemporaneous free rock borne on the wings of Green’s guitar with its expansive tone evoking the loosest of feels, often drenched with emotional wah-wah pedal use of hair triggered sensitivity…

The Future Sound of Jazz series is an underated collection of the finest leftfield jazzier flavours from the West German label Compost Records. After the collections trips recently through all areas of dance music , and the most recent messy excursion to disco on volume 11. For volume 12 it's back to a jazzy edge. For FSOJ 12 there's a concoction of future be-bob, house, drum and base, hip -hop, pop, afro- funk, African drum beats,to Nordic Electronic jazz , chilled electronica vocals to Blue note flavoured bossa nova and disco, what a sizzling amalgamation! The collection is on the downtempoe scale of predominantly instrumentals that may take some time to digest.

The Future Sound of London’s long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives. Archived 8 brings together another 12 such tracks; in some cases these are completed but unreleased songs from that time, in others the songs have been reconstructed or enhanced and then further mixed to form the journey. This album is not just a collection of random off-cuts. It is a fully realised album, worthy of sitting alongside the rest of the band’s critically acclaimed work.

The complete collection of Achim Reichel’s innovative avant-garde project in the early 1970s. The lavishly designed 10 CD box-set includes all five studio albums and almost five hours of rare and unreleased music, a new remix-album – Virtual Journey – as well as a hardcover book with the artist’s own liner notes. A lucky accident was the catalyst. In Hamburg in the early 70s, while playing with his new Akai X330D tape machine, Achim Reichel discovered he could build soundscapes of guitar echoes and add even more simultaneously. He spent hours in his room with headphones on, growing his orchestra of guitars. A.R. & Machines recorded five studio albums. Their debut, “Die grüne Reise”, – The Green Journey – was released in 1971 on tape cassette and vinyl, and was met with complete confusion, even from the music press, who had no genre-drawer to stick it into, and is a lasting Krautrock monument captured on tape.

The earnest progressive metal group Green Carnation unveil "Leaves of Yesteryear," the first new music from the band in 14 years. More approachable than the Norwegian's work in the metal bands In the Woods, Emperor, and Tristania; their unpretentious, punchy and smart sound appeals to broad swaths of the rock community. As the first part of the act's second trilogy, "Leaves of Yesteryear," serves as both a retrospective look at the band’s storied career while setting the foundation for their future.