British jazz-funk combo Shakatak formed in London in 1980. Originally comprising keyboardists Bill Sharpe and Nigel Wright, guitarist Keith Winter, bassist Steve Underwood, and drummer Roger Odell, the group quickly scored an underground hit with its debut single "Steppin'," cracking the British Top 50 the following year with the singles "Livin' in the UK" and "Brazilian Dawn."…
Shakatak's 40th Anniversary 3xCD and DVD set featuring: CD 1 - First 20 years retrospective; CD 2 - Favourite 21st Century tracks chosen by each band member + 4 brand new songs; CD3 - It's all Live -+ Bill Sharpe demos DVD of classic 1980's promo videos.
Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.
The Hillbilly Hellcats play a heavy rockabilly. The life and sounds of the nineties come crashing into those of the fifties in this modern Rockabilly trio. Coming from a state known for it's tie-dyed bands, Colorado's Hillbilly Hellcats tell stories of skateboards and hippies as well as white trash, whiskey and trailer parks. Chuck Hughes and Lance Bakemeyer formed Hillbilly Hellcats in Denver, 1993. They have released several albums and singles. Their touring has taken them to 16 countries and 40 States. Since 2001, their music has appeared over 3500 times in TV and movies. They have over 2 million streams on Spotify.
The Courettes is a Brazilian-Danish duo, which consists of Flavia Couri on vocals & guitar and Martin Couri on drums & vocals. The duo, Flavia and Martin, is both married in life and in music, if one can say so.
We are absolutely thrilled to welcome Emmanuel Witzthum to the record label. Inspired by old notebooks, antiquarian editions, calligraphic writing, and piles of books dressed in spiderwebs of dust, 'The Book of Dusts' spreads outwards slowly, like splinters of ice on a windowpane, recalling the icy fingers of winter…
Abel published quite a few chamber works with flute, meeting the demand for new music by the many gentleman flutists in England. The flute concertos contained here, despite their opus number, were never published, but are found in a manuscript held in Leipzig which can be dated prior to 1759. Stylistically these works have left the Baroque far behind, with regular phrases, simple basses , broad harmonic movement. The melodies make ample use of lombardic rhythms and syncopations and the florid passaggi sparkles with triplets and scalar passages in sixteenths. Though there are occasional harmonic complications which recall Abel's background, the overall tone here is that of the Enlightenment. Who can Abel have written these works for?