Awesome funk from all eras of Shakatak's career! This double CD collects the extended mixes for 25 of Shakatak's Greatest Hits.
Made in New York City and inspired by the intersections between the natural world and the human world, Green and Grey continues Julia Kent's solo career as a maker of highly personal music. Using looped and layered cello, electronics, and recordings of natural sounds, she explores in this new instrumental record the melding of the technological and the organic, the patterns and repetitions that exist in nature and are mirrored in human creations, and the complexity and fragility of our relationships with one another and with the natural world. Without collaborators–other than the insect, weather, and wind sounds that create a sort of exoskeleton for the music–she has created an intensely personal landscape that references the way nature, however subverted and endangered by our modern world, still retains its power.
Abel published quite a few chamber works with flute, meeting the demand for new music by the many gentleman flutists in England. The flute concertos contained here, despite their opus number, were never published, but are found in a manuscript held in Leipzig which can be dated prior to 1759. Stylistically these works have left the Baroque far behind, with regular phrases, simple basses , broad harmonic movement. The melodies make ample use of lombardic rhythms and syncopations and the florid passaggi sparkles with triplets and scalar passages in sixteenths. Though there are occasional harmonic complications which recall Abel's background, the overall tone here is that of the Enlightenment. Who can Abel have written these works for?
In the late spring of 1972, after numerous invitations to reunite, the elusive Dion DiMucci finally agreed to perform – for the first time in 12 years – with the original members of the Belmonts in a one-off concert as part of a rock and roll revival show to be held at Madison Square Garden. The date was June 2, 1972. The arena was sold out and the atmosphere was electric. The legendary Bronx, New York-based vocal group had earned a reputation not only for topping the charts but for creating some of the most vital and exciting doo-wop music on the American scene. With songs such as “I Wonder Why,” "A Teenager In Love" and "Where or When," Dion and The Belmonts earned their place in the history books, while the group's pioneering role in the development of rock 'n' roll underscored their enduring accomplishments. For this magical night Billy Vera and his band would be the backing band. “It was like an earthquake. You could literally feel the stage shake.” - Billy Vera
Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.