On this double CD release we find Shakatak's Bill Sharpe teaming up with Don Grusin, Alex Acuna and Paulinho da Costa et al for a Latin Jazz album from 1999, which also features Jeffrey Osborne on vocals on Light On My Life. Coupled with a solo piano album from 2006 of Bill’s favourite Shakatak tracks from the band’s first 25 years.
Willie Nelson joined Ray Price's Cherokee Cowboys in 1961, the first step in a lifelong friendship between the two men. From that point on, the pair never fell out of touch. At the height of his superstardom in 1980, Nelson cut a duet album with Price called San Antonio Rose, the first of three joint efforts they'd cut over the years. Whenever the pair got together, they'd sing the old songs, Western swing standards and honky tonk classics from the '50s and '60s – the songs that form the core of For the Good Times: A Tribute to Ray Price, a salute Willie delivered three years after Price's 2013 death.
Shakatak's 40th Anniversary 3xCD and DVD set featuring: CD 1 - First 20 years retrospective; CD 2 - Favourite 21st Century tracks chosen by each band member + 4 brand new songs; CD3 - It's all Live -+ Bill Sharpe demos DVD of classic 1980's promo videos.
British jazz-funk combo Shakatak formed in London in 1980. Originally comprising keyboardists Bill Sharpe and Nigel Wright, guitarist Keith Winter, bassist Steve Underwood, and drummer Roger Odell, the group quickly scored an underground hit with its debut single "Steppin'," cracking the British Top 50 the following year with the singles "Livin' in the UK" and "Brazilian Dawn."…
Boogie Bill Webb fused the down-home country blues of his native Mississippi with the hothouse R&B of his adopted New Orleans to create an idiosyncratic sound unique in the annals of Southern music. Born March 24, 1924, in Jackson, MS, Webb received his first guitar a cigar box with strings made of screen wire at the age of eight; his style was most profoundly influenced by local bluesman Tommy Johnson, an entertainment fixture at the myriad fish-fry dinners organized by Webb's mother.
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the jazz life of alcohol and substance abuse.