The Lonesome Rhodes

A 2CD set from organ supremo Brian Auger that includes the 1969 album Streetnoise, produced by Giorgio Gomelsky and featuring Julie Driscoll and Trinity, plus sixties compilation The Mod Years.
The final collaboration between singer Julie Driscoll (by that time dubbed as "The Face" by the British music weeklies) and Brian Auger's Trinity was 1969's Streetnoise - it was an association that had begun in 1966 with Steampacket, a band that also featured Rod Stewart and Long John Baldry. As a parting of the ways, however, it was Trinity's finest moment. A double album featuring 16 tracks, more than half with vocals by Driscoll, the rest absolutely burning instrumentals by Trinity…

Various Artists - The Henry Glover Story, Vol. 1: 1947-1951 (2012) {2CD Set Rhythm & Blues Records RANDB020}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 574 Mb | MP3 @320 -> 350 Mb
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© 1947-51, 2012 King Records / Rhythm & Blues Records | RANDB020
Rhythm & Blues / Early R&B / Early Pop / Country / Doo Wop / Produced / Trumpet

First of two double CDs exploring the substantial contributions to American music by the amazingly talented Henry Glover who was one of the first African-American executives and producers in a white owned record company. Glover did it all - he was a producer, arranger, songwriter, publisher, talent scout, trumpet player and label owner. He started off playing with the Lucky Millinder band in the early 40s and quickly became arranger for the band and songwriter for the band's many great vocalists. Soon he was writing and producing for Syd Nathan's King label and in 1948 was put on staff by Nathan and the majority of the recordings here are from King along with some covers of King hits by artists on other labels.

Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (1970) {Blue Note–Real Gone Music RGM-0453 rel 2016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 483 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 1970, 2016 Blue Note / Capitol / Real Gone Music / Dusty Groove | RGM-0453
Jazz / Fusion / Soul Jazz / Modern Jazz / Jazz Funk / Saxophone

Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto. Produced by David Axelrod too!

Roy Ayers's had long made his shift into R&B/soul by 1976's Everybody Loves the Sunshine. His recordings of this period can be very hit and miss, and in this particular record, you get both. The title track, "Everybody Loves the Sunshine," is a quintessential song from the mid-'70s. While it might not have slammed the charts like Wild Cherry's "Play That Funky Music," it's still a revered classic. It evokes that feeling of sweltering concrete in Brooklyn where the only relief is the local fire hydrant.

In 2015, guitar hero Joe Bonamassa set out on what he called the "Three Kings" tour, in which he paid homage to three of his favorite guitarists: B.B. King, Albert King, and Freddie King. The tour concluded with a show at the venerable Los Angeles venue the Greek Theatre, in which Bonamassa and his band treated the audience to a night of classic blues standards. A mobile recording studio and a camera crew were on hand to capture the performance, and Live at the Greek Theatre (released on CD, LP, DVD, and Blu-ray) documents the event, in which one of the 21st century's top guitarists demonstrates how much he learned from the masters. Bonamassa is backed by a stellar band of blues musicians including Anton Fig (drums), Michael Rhodes (bass), Reese Wynans (Keys), Lee Thornburg (trumpet), Paulie Cerra (saxophone), Ron Dziubla (saxophone), Kirk Fletcher (Guitar), Mahalia Barnes, Jade MaCrae and Juanita Tippins (Vocals).