The Main Source

An electronic tribute album to Pink Floyd isn't a bad idea, since the head-swimming quality of the group's music is so often a prime mover in electronica. However, the talent assembled for this Vitamin production is too often relies on a restatement of the original song to achieve bliss, without employing available electronic trickery to suggest anything new. Alex Xenophon is the main offender here, offering two versions of "Comfortably Numb" (slow and fast, natch), and a take on "The Wall." Only Motor Industries rises to the task, giving "Is There Anybody Out There?" a cool, retooled, new wave groove. The collective also renders "Time" as a drifting cocktail of 10cc and dub, referencing the clouds in Pink Floyd's head while creating a few of its own.

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.

Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).

Among the main protagonists credited with linking the big band era with the soul jazz scene that emerged during the late 1950s, Eddie Lockjaw Davis remains a notable influence on jazz saxophonists to this day. While perhaps not always displaying the finesse of his contemporaries, Davis produced a tone that was wholly unique and capable of emitting an aggressive, bluesy sound alongside lines of great tenderness and sensitivity. The flexibility of his playing lent itself to rhythm and blues, swing, hard bop and Latin jazz over the years, and while his early career featured Davis supporting some of the finest artists of the period, his greatest records came when he took up the role of bandleader, notably during his tenancy with the Prestige label. This collection features the eight albums by Eddie Lockjaw Davis as leader released on the Prestige label between 1958 and 1961.

Clifford Brown - The Complete Blue Note and Pacific Jazz Recordings (1995) {4CD Set Capitol rec 1953-1954}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.45 Gb | MP3 @320 -> 584 Mb
Full Artwork @ 600 dpi (png) -> 781 Mb | 5% repair rar
© 1953-54, 1995 Blue Note / Pacific Jazz / Capitol | CDP 7243 8 34195 2 4
Jazz / Bop / Hard Bop / Trumpet

This four-CD set has the exact same music as an earlier Mosaic five-LP box, but is highly recommended to those listeners not already possessing the limited-edition set. Trumpeter Clifford Brown is heard on the most significant recordings from the first half of his tragically brief career. Whether co-leading a date with altoist Lou Donaldson, playing as a sideman with trombonist J.J. Johnson, interacting with an all-star group of West Coast players, or jamming with the first (although unofficial) edition of Art Blakey's Jazz Messengers (a two-disc live performance with a quintet that also includes the drummer/leader, Donaldson and pianist Horace Silver), Brown is the main star.

Maurice Jarre wrote the central musical motif of his score for Doctor Zhivago, "Lara's Theme," in a few minutes in a hotel, amid a frantic five-week rush to score the 197-minute movie. That theme made the Doctor Zhivago soundtrack album one of the biggest selling soundtrack of the 1960s, a considerable feat when one reckons in the competition from A Hard Day's Night, Never on Sunday, A Man and a Woman, Exodus, and 2001: A Space Odyssey. The rest of Jarre's score is more in the realm of lushly textured Russian-themed mood music, filled with dark male choruses, folk and folk-like themes, and dense orchestrations, sort of faux-Tchaikovsky. The stereo separation is used to good effect, and the music as a whole forms a kind of romantic/exotic travelogue as much as a dramatic sketch of the movie's action.

This latest addition to the From The Vault series captures a truly unique event in the long and eventful history of The Rolling Stones. On the May 20th, 2015 at the Fonda Theatre in Hollywood, California, the band performed the entire Sticky Fingers album live in concert for the first and so far only time in their career. The show celebrated the reissue of the Sticky Fingers album and was the opening night of The Rolling Stones Zip Code Tour of North America that would run over the next two months…

Limited 26 disc box set. Ultimate Boxed Set Edition of one of rock music's seminal debut albums. Blu-ray 4 features all-new, 2020, Dolby Atmos mix by Steven Wilson. Complete, fully mixed stereo recording sessions feature on Blu-ray, DVD and across six CDs. Blu-Rays also feature the original master edition of the 1969 album mix in 24/96 stereo, the 2019 stereo and 5.1 mixes, the 2009 stereo and 5.1 mixes, a complete alternate album comprising 2019 mixes and more…