The opening night of Marc Blitzstein s The Cradle Will Rock was one of the most infamous in history. The attempt to shut down and censor the production resulted in an improvised performance with Blitzstein playing his score on the piano, which has influenced performances of this American masterpiece for decades. Now, this First Complete Recording of The Cradle Will Rock - recorded live at Opera Saratoga in July 2017 - restores Blitzstein s brilliant original orchestrations to their full glory. Under the baton of conductor John Mauceri and direction of Lawrence Edelson, this remarkable production of the fable of Steeltown USA, corrupted at every social level by the predations and capitalist cupidity of its boss-man, Mr. Mister, was hailed by the Philadelphia Inquirer as having no polite veneer to soften Blitzstein s social outrage, with a cast that had the scrupulousness of opera but the theatricality of Broadway. Straddling the worlds of opera, musical theater and popular music, The Cradle Will Rock is as timely and entertaining today as when it first premiered in 1937.
Outstanding 12th studio disc by this awesome blues/rock guitarist from Iowa featuring 10 songs of excellent, dynamic, soul-powered, blues-based, retro-fied, six string mojo that stands tall & lands solid between a rock and a blues place. Bryce Janey is the real deal: an authentic, bad-ass, Stratmaster guitar slinger with way-kool, whiskey-soaked vocals who will rock your damn blues away. On "Blue Moon Rising", Bryce Janey turns up the "Janey Juice" and takes us on an awesome musical ride with his guitar fueled, power trio mojo train that rocks solid with pure "down home" certfied blues power deep into the night featuring Dan Johnson on bass & Eric Douglas on drums.
Change was nominated for the 2000 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "Wigwam" was nominated for the 2000 Grammy Award for Best Jazz Instrumental Solo. "Little Flamenco" was nominated for the 2000 Grammy Award for Best Instrumental Composition. At the outset of CHANGE, Chick Corea's first studio album with his group Origin, it is clear that he has made a transition from his electric fusion style to straight-ahead acoustic jazz. On the opening track "Wigwam," Corea's signature percussive piano style has been replaced by a marimba's wooden tones. Most Corea fans should know that the piano master began his career on the drums, and his natural love of the mallet instruments makes logical sense. Corea's piano is ever present, however, as Origin proves to be the pianist's most traditional ensemble to date.
Afterlife became giants of the downtempo and Ibiza scenes as Steven Miller signed with Hed Kandi and released the album Simplicity in 2000. Miller had already established a name for himself at Ibiza with his Café Del Mar exploits, but Afterlife raised the bar, largely due to the glorious singing voice of partner Rachel Lloyd and guest vocalist Hermione. In October of 2000, Hed Kandi issued this package: a deluxe box containing the original album, a whole slew of remixes, and a few new tunes to boot. For Ibiza this would be perfect for a trip for the beach, but it serves the listener(s) better in the late-night hours where the breeze is right, the wine is chilled, and the lights are low. Sweet sugar vocals and a deep, throbbing bass with pervasive jazzy overtones define the overall sound of the two discs put together. The effect is very smooth, sensual, and funky…
Recorded live at the Brooklyn Academy of Music on August 7 1993, during the acclaimed ''Psychoderelict'' tour, this double CD set features, for the first time live, the entire ''Psychoderlict'' performance as well as a selection of hits from Pete Townshend''s extensive catalogue. The recording features Pete Townshend together with a full band and actors performing in this theatrical presentation.
Instrumental progressive rock album "Levin Torn White" is the kind of complex, intelligent, and experimental album that makes journeys into the genre rewarding and surprising. "Levin Torn White" is composed of Tony Levin on bass guitar and chapman stick, David Torn on guitar, and Alan White playing drums. On opening track "No Warning Lights", the calm, unfamiliar background noise gives way to a frantic drum and bass assault that sounds like the Space Mountain ride hurtling to hell.