Harry Nilsson spent almost all of his rich, idiosyncratic, sometimes maddening career at RCA Records, releasing his bravura debut, Pandemonium Shadow Show, in 1967 and fading into the sunset with 1977's Knnillssonn. During those ten years, he released 14 albums and left behind a bunch of stray tracks, almost all of which are gathered on Legacy's massive and wonderful 2013 box The RCA Albums Collection…
I don't mean to take anything away from Elvis Presley and Jerry Lee, but I don't think I ever recorded anybody who was better as a singer, writer or player than Charlie Rich.– Sam Phillips, Sun Records
BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks - made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.
BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks - made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Dallas-raised guitarist, singer, and songwriter Mike Morgan formed his blues and blues-rock band in the late '80s, amid that city's still thriving nightclub scene. Morgan, who got his first guitar in elementary school, was inspired to play better guitar after hearing Stevie Ray Vaughan's debut album, Texas Flood, in 1985. He grew up in suburban Dallas listening to the radio and being inspired initially by people like Otis Redding and Wilson Pickett. Morgan had been playing rock guitar prior to this, but after 1985 he jumped with both feet into playing blues and blues-rock. Although he was motivated and influenced by the late legendary Vaughan, Morgan also cites T-Bone Walker, Magic Sam, and fellow Dallas area musician Anson Funderburgh as influences on his music.
Mastered from the Original Master Tapes and Limited to 2,500 Numbered Copies: Sonically Superb SACD Presents the Music in True-to-the-Original Mono.