The Shadow on The Window

Three teenagers, led by psychopathic Jess Reber, break into an isolated farmhouse and murder its prosperous owner whose secretary, Linda Atlas, witnesses the crime. The three thugs decide to hold her hostage. Detective Tony Atlas, perplexed by the sudden disappearance of Betty, his estranged wife, tries desperately to locate her.

Film noir fans rejoice with this 9-movie major studio collection rare film noir's from the period 1956-1960.

Drawing on intimate access to eight eyewitnesses, this documentary offers a unique perspective on this tragic events of September 11, 2001.

In The Shadow Of The Living Room is the first and only album by Jonathan (Yoni) "Why?" Wolf and David "Odd Nosdam" Madson of Ohio's Reaching Quiet. Both were part of the Anticon collective and also of the trio cLOUDDEAD with Adam "Dose One" Drucker but also decided to try a duo project that was a mixture of experimental hip-hop and lo-fi electronic sounds. This came out on the Mush label.

She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty (yeah, it's a mouthful, but at least it's not Fiona Apple's monolith), was reportedly Sinead O' Connor's final album – it wasn't – as she seeks another way of life as a spiritual pilgrim, O'Connor delved deep into her rare, B-side, unreleased, and compilation tracks and gives listeners a live album to boot over two discs. Released stateside on Vanguard, this is, despite its disparate nature, one of the most satisfying recordings she's ever delivered – the previous year's Sean-Nós Nua, her traditional album, was a knockout and perhaps her finest studio moment, but it went unnoticed here because Americans can't seem to forgive O'Connor for exercising her right to free speech (the audience at Bob Dylan's 30th anniversary concert should be especially ashamed). The studio sides released on disc one include her collaborations with everyone from Adrian Sherwood to the Asian Dub Foundation to Massive Attack to Roger Eno. Her covers of Dan Penn's "Do Right Woman," Boudleaux Bryant's "Love Hurts," and the B-52's' "Ain't It a Shame" are highly original, deeply moving, and satisfying. Her originals, such as "No Matter How Hard I Try," "Love Is Ours," "This Is a Rebel Song," and "Emma's Song," are eclipsed only by her readings of traditional Gaelic material. Her arrangements and those of her collaborators are top-flight. There are 19 cuts in all on disc one, and not a moribund moment in the bunch.