The Spoken Word Revolution

Female spoken word artists have become the spokeswomen for a new generation. This demanding oral poetry of the early 21st century has defined a vanguard of lithely muscled voices; women who think and act decisively to create their distinctive and desperately earned realities. …

Gil Scott-Heron - The Revolution Begins. The Flying Dutchman Masters (1970-71) {2012 3CD BGP GILBOX 017}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 935 Mb | MP3 @320 -> 397 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1970-71, 2012 BGP / Ace Records / Flying Dutchman | GILBOX 017
Jazz / Soul / Spiritual Jazz / Jazz Funk / Poetry

The three albums (3-CD set) that Gil Scott-Heron recorded for Bob Thiele's Flying Dutchman label are among the most important in black music history. They showed a multi-talented artist coming to full fruition with his first efforts on wax. The Revolution Begins contains every piece of music he released for the label from 1970-1971. In recent years Gil has become a lauded as one of the all-time greats. This music is the reason why. It includes classic performances, including both the spoken word and band versions of The Revolution Will Not Be Televised, Home Is Where The Hatred Is, Lady Day and John Coltrane, Pieces Of A Man, Whitey On The Moon and Free Will.

Remastered in 2015 by Steven Wilson. Porcupine Tree's debut is really one big in-joke, which actually makes for a better reason to record something that pretends to be profoundly deep through and through. As released, it doesn't make mention of the tracks' origins as the supposed product of a mysterious cult psych/prog rock band, but the packaging and artwork (even the fonts) would make the Dukes of Stratosphear proud. Steven Wilson's singing is noticeably higher at points than it would be in later years - chalk it up to his relative youth or a desire to sound appropriately wispy (or on the lovely "Nine Cats," like David Gilmour). On a sheer technical level, though, Wilson can't be beat. Recording and producing his material solo (outside of a couple of guest appearances) before the big '90s revolution in home recording quality, he easily reaches the depth and reach of bands who could spend many times more to reach the same sound…