The Spoken Word Revolution

Porcupine Tree's debut is really one big in-joke, which actually makes for a better reason to record something that pretends to be profoundly deep through and through…

Remastered in 2015 by Steven Wilson. Porcupine Tree's debut is really one big in-joke, which actually makes for a better reason to record something that pretends to be profoundly deep through and through. As released, it doesn't make mention of the tracks' origins as the supposed product of a mysterious cult psych/prog rock band, but the packaging and artwork (even the fonts) would make the Dukes of Stratosphear proud. Steven Wilson's singing is noticeably higher at points than it would be in later years - chalk it up to his relative youth or a desire to sound appropriately wispy (or on the lovely "Nine Cats," like David Gilmour). On a sheer technical level, though, Wilson can't be beat. Recording and producing his material solo (outside of a couple of guest appearances) before the big '90s revolution in home recording quality, he easily reaches the depth and reach of bands who could spend many times more to reach the same sound…

Born in Chicago in 1949, Gil Scott-Heron became one of the inspirators of Rap Music. With very much of a political viewpoint, Gil became a mouthpiece for the Black Person in America during the Seventies and Eighties. Gil was the son of a Jamaican professional soccer player and a college graduate mother who worked as a librarian. His father played for the Scottish football side, Celtic. Both parents divorced whilst Gil was still a child and he was despatched off to his grandmother in Lincoln, Tennessee. His grandmother helped Gil musically, however, early racial tensions at school, in Jackson, led him to relocate again to the Bronx during his adolescent years to live with his mother and he later moved again to the Spanish neighbourhood of Chelsea.

At the age of 13, Gil had already written a book of poetry. Gil attended college in Pennsylvania and then left to concentrate on writing his first novel entitled 'The Vulture' in 1968. It was at college he met Brian Jackson, who was later to be a long time musical collaborator.
He released his debut album, 'New Black Poet: Small Talk at 125th and Lennox', in 1970, the title of which was influenced by a piece of poetry written by his mentor, Bob Thiele. The album contained the powerful 'The Revolution Will Not Be Televised', a damning political attack on the media and the treatment of Black People in the U.S.

During their brief time together, the Beatles, in addition to all the records they made, managed to shoot dozens of promotional films and music videos. At first they were a way for the band to connect to fans who couldn’t see them live. But by the middle of the ’60s, when they gave up touring for good to focus on the more experimental side of their music, the videos became another creative outlet, a way for one of pop culture’s most restless and daring groups to break past the boundaries of typical performance clips…

The jazz poet’s finest Flying Dutchman recordings, as originally compiled in 1974. CD edition includes additional nine tracks from his first three albums.

Tender, bluesy folk dominated their debut LP, but on ‘Revolution Of Mind’ She Drew The Gun glisten with sonic flair on a confident, immersive sophomore effort.