On their singles and EPs, the Horrors proved they'd done their post-punk and freakbeat homework. With their debut album, Strange House, they push their sound forward, distill it to its rawest essence, and give it a few funhouse mirror twists and turns for good measure. Almost half of the songs on the album already appeared on previous Horrors releases, but the ever-so-slightly cleaner production here gives more definition to their black-on-black sound. The band kicks off Strange House by revisiting their cover of Screaming Lord Sutch's "Jack the Ripper," which begins at a zombie-slow pace, then suddenly speeds up halfway through, transforming into a hurtling roller coaster of a song that makes a great introduction to Strange House's mix of campy humor, energy, and menace. With its dive-bombing noise barely held together by Faris Badwan's shouting and the faintest hint of a melody, "Sheena Is a Parasite" is still the Horrors' best and most radical song, although several other tracks here rival its black-hearted thrills.
As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.
The Happenings are best-known for their hit single "See You in September," which is a sunny slice of sunshine pop featuring happy, bouncy vocals and intricate harmonies reminiscent of great white doo wop groups like the Four Seasons and the Tokens, who were not-so-coincidentally the Happenings' mentors and producers. Collectables has reissued both of the Happenings' records on one disc: 1966's The Happenings and 1967's Psycle. Both discs feature the stunning vocal gymnastics of their hit single and their updated doo wop sound coated with an easy listening gloss of strings on a not-very-thick Wall of Sound. Most of the songs on their debut were written by the members of the Tokens and are not bad but not that memorable, as they follow the formula of their hit but pale in comparison. An exception to this is the strange "You're in a Bad Way," which is a spooky track filled with death-related imagery that sports a surprisingly funky backbeat.