It was 1946 and film noir was everywhere, from low budget quickies to major studio releases. Of course, the studios didn’t realize they were making films noir, since that term had just been coined by French film critic Nino Frank. The noirs of 1946 included: The Killers, The Blue Dahlia, The Big Sleep, Gilda, The Postman Always Rings Twice, The Stranger, The Dark Mirror, The Black Angel and The Strange Love of Martha Ivers. The Strange Love of Martha Ivers was an “A” picture from Paramount, produced by Hal B. Wallis. It featured a terrific cast, including Barbara Stanwyck (who’d been in the classic noir Double Indemnity two years prior), Van Heflin, smoky-voiced Lizabeth Scott, Judith Anderson and, in his film debut, a young actor named Kirk Douglas. It’sa terrific picture with wonderful dialogue, elegant direction and great performances – it’s noir, it’s melodrama, and the whole film crackles with electricity. And perfectly capturing every mood, every character and every situation is the classic score by Miklós Rózsa. The music for The Strange Love of Martha Ivers is almost a second cousin to Double Indemnity and The Lost Weekend, filled with the incredible Rózsa sound of that era.
This is the second album of the British psychedelic folk band Bread Love and Dreams. It's full of really nice melodic progressive folk songs with beautiful acoustic and electric guitars, electric bass, drums and some piano, organ, moothie, flute, African and other percussion and gorgeous female and male vocal and vocal harmonies.
Bread Love And Dreams was a folk-rock duo augmented by some talented session musicians including Terry Cox and Danny Thompson who were in Pentangle at that time. All three albums are now collectables.
London glam rockers The Struts return with their third album. Lead cut is Strange Days which features the incomparable pop legend Robbie Williams. A magnificent, sprawling and string-laced duet, it’s a tender-hearted epic that offers incredible solace in the most chaotic of times. The song came about – along with the rest of the ten-track album – as a result of the band’s enforced lockdown during the coronavirus pandemic but started out as an idea lead singer Luke Spiller originally had on a tour bus last summer. It then took on a life of its own as a result of a chance encounter online.
Supergrass – Gaz Coombes, Mick Quinn, Danny Goffey, and Rob Coombes – are one of the most important bands to emerge during the 1990s, with several million record sales, including 6 top 10 albums and 10 top 20 singles. Formed in Oxford UK in 1993, the Brit, Q, NME and Ivor Novello-winning outfit released their Mercury-nominated No.1 debut album I Should Coco in 1995. Fourth single, Alright, was a pop masterpiece and became a massive hit, catapulting the band to global success.
Supergrass – Gaz Coombes, Mick Quinn, Danny Goffey, and Rob Coombes – are one of the most important bands to emerge during the 1990s, with several million record sales, including 6 top 10 albums and 10 top 20 singles. Formed in Oxford UK in 1993, the Brit, Q, NME and Ivor Novello-winning outfit released their Mercury-nominated No.1 debut album I Should Coco in 1995. Fourth single, Alright, was a pop masterpiece and became a massive hit, catapulting the band to global success.