The Tender Bar

Miranda Leigh Lambert is a Singer/Songwriter from Texas, who became a superstar thanks to her bad girl image. Outside her solo career, she is a member of the Pistol Annies alongside Ashley Monroe and Angaleena Presley. Lambert has been honored by the Grammy Awards, the Academy of Country Music Awards, and the Country Music Association Awards. This 24-bit collection includes all of her official studio albums from 2005 to 2016.

The Districts' third full-length, "Popular Manipulations", and it's a significant leap forward for the band. The Districts turn the mundane into bombastic epics, the commonplace into life-affirming anthems. Not unlike fellow Philadelphians The War on Drugs, The Districts strive for an earnest grandiosity devoid of winks, irony, or a sly grin. This is rock and roll like they used to do, full of big sounds and gut-punching melodies. Their third LP - and second for Fat Possum - "Popular Manipulations" will make you want to punch a hole through a wall while maintaining a toothy grin.

The Last Saturday Night is a collection of ten new and original Pinto Bennett songs recorded in Idaho with long time friends and special guests. Bennett's unique and powerful songwriting shine on this tasteful production of soon to be classics.

Miranda Leigh Lambert is a Singer/Songwriter from Texas, who became a superstar thanks to her bad girl image. Outside her solo career, she is a member of the Pistol Annies alongside Ashley Monroe and Angaleena Presley. Lambert has been honored by the Grammy Awards, the Academy of Country Music Awards, and the Country Music Association Awards. This 24-bit collection includes all of her official studio albums from 2005 to 2016.

‘Endless hours of joy and wonder’ is how Angela Hewitt sums up the insights and rewards of playing and recording Mozart’s piano sonatas, and a similar experience awaits listeners to these remarkable accounts, the first release in a complete cycle.
If this first volume is anything to go by, the journey will be a joy…Hewitt makes them sound effortless. Her articulation is clean, the pedalling lightly judicious, her fingers nimble and strong, the ornamentation always tasteful, while the clarity of her approach brings out the individual character of each sonata, each movement.