The Tortoise

When Watter first appeared fully formed in 2014 as a trio featuring founding members of Grails and Slint, most assumed the mercurial group would vanish into the ether just like the foggy echoes of sound they crafted on their debut album, This World. Instead, they toured the US with their longtime friends in Om, and returned home to begin work on an ambitious new recording studio, from which their new album, History of the Future was born. As with their first album, the songs on History of the Future evolved from many long days and nights of improvisation, experimentation, and collaboration. In many ways, the guests – which include, among others, Britt Walford (Slint), Dominic Cipolla (Phantom Family Halo, Torres), Rachel Grimes (Rachel’s), Bundy K. Brown (Tortoise), and Todd Cook (Shipping News, The For Carnation) – and the gear were as vital to the creative process as the core duo of Riles and multi-instrumentalist Tyler Trotter. It is this exploratory nature that breathes life into Watter, and turns ephemeral into eternal.

Career spanning 17 disc (11 CD + six DVD) box set from the British Rock icons. Timeless Flight is a definitive career-spanning Moody Blues box set. The Moody Blues have released 24 albums in a career spanning nearly five decades. They have sold over 50 million albums, earning them eighteen platinum discs and all manner of awards. This set contains 11 remastered CDs featuring key album tracks, previously unreleased mixes, out-takes and complete live concerts, three DVDs of rare television performances from around the world, promotional videos and the previously unreleased live concert from Olympia, Paris in 1970, three DVD audio discs containing the long-deleted 5:1 surround sound mixes…

La Monte Young - Draw a Straight Line and Follow It IV (2010) {5CD Set, Otherside Recordings Japan}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.20 Gb | MP3 @320 -> 622 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 2010 La Monte Young, Marian Zazeela / Otherside Recordings Japan | [none]
Classical / Modern Classical / Modern Composition / Experimental / Microtonal

La Monte Young, generally regarded as the father of musical minimalism, is one of America’s most important contemporary composers–and one of the most elusive. Early on Young eschewed the conventional musical institutions of publishers, record labels, and venues, in order to create compositions completely unfettered by commercial concerns. At the same time, however, he exercised profound influence on such varied figures as Terry Riley, Cornelius Cardew, Andy Warhol, Yoko Ono, Velvet Underground, Brian Eno and entire branches of pop music. For half a century he and his partner and collaborator, Marian Zazeela, have worked in near-seclusion in their Tribeca loft, creating works that explore the furthest extremes of conceptual audacity, technical sophistication, acoustical complexity, and overt spirituality.

La Monte Young - Draw a Straight Line and Follow It II (2020) {6CD Set, Otherside Recordings Japan rec 1957-2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.87 Gb | MP3 @320 -> 785 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1957-2003, 2020 La Monte Young, Marian Zazeela / Otherside Recordings Japan | [none]
Classical / Modern Classical / Modern Composition / Experimental / Microtonal

La Monte Young, generally regarded as the father of musical minimalism, is one of America’s most important contemporary composers–and one of the most elusive. Early on Young eschewed the conventional musical institutions of publishers, record labels, and venues, in order to create compositions completely unfettered by commercial concerns. At the same time, however, he exercised profound influence on such varied figures as Terry Riley, Cornelius Cardew, Andy Warhol, Yoko Ono, Velvet Underground, Brian Eno and entire branches of pop music. For half a century he and his partner and collaborator, Marian Zazeela, have worked in near-seclusion in their Tribeca loft, creating works that explore the furthest extremes of conceptual audacity, technical sophistication, acoustical complexity, and overt spirituality.

The Moody Blues' first real attempt at a harder rock sound still has some psychedelic elements, but they're achieved with an overall leaner studio sound. The group was trying to take stock of itself at this time, and came up with some surprisingly strong, lean numbers (Michael Pinder's Mellotron is surprisingly restrained until the final number, "The Balance"), which also embraced politics for the first time ("Question" seemed to display the dislocation that a lot of younger listeners were feeling during Vietnam)…