The Well Tempered Clavier

Published by Ferruccio Busoni

The Italian harpsichordist, fortepianist, organist and conductor, Davide Pozzi, got the diploma with full marks of harpsichord, fortepiano and clavichord (M. Porrà), and organ and organ composition (Eva Frick Galliera) at the Conservatorio G. Verdi in Milan. At the same conservatoire he got a first-class degree in organ. He He then continued his studies at the Civica Scuola di Musica di Milan, receiving his diploma, again with honors, in Lorenzo Ghielmi's Baroque organ class. While there he also enhanced his harpsichord studies with Laura Alvini.

“For this reviewer, Silverman left no doubt; he is one of the finest pianists I have ever heard, live or on recordings. Always utterly committed to his vision, he has a big, warm sound, a technique equal to all difficulties, and an exemplary sense of tonal refinement.”

The Italian harpsichordist, fortepianist, organist and conductor, Davide Pozzi, got the diploma with full marks of harpsichord, fortepiano and clavichord (M. Porrà), and organ and organ composition (Eva Frick Galliera) at the Conservatorio G. Verdi in Milan. At the same conservatoire he got a first-class degree in organ. He He then continued his studies at the Civica Scuola di Musica di Milan, receiving his diploma, again with honors, in Lorenzo Ghielmi's Baroque organ class. While there he also enhanced his harpsichord studies with Laura Alvini.

Davide Pozzi got the diploma with full marks of harpsichord, fortepiano and clavichord, and organ and organ composition at the Conservatorio G. Verdi in Milan. At the same conservatoire he got a first-class degree in organ. He completed his studies at the Civica Scuola di Musica di Milano with Lorenzo Ghielmi, and then at the Schola Cantorum in Basilea, attending Andera Marcon and Jean Claude Zehnder’s classes.After being given a prize in several organ and harpsichord national contests, he won the second prize as harpsichordist of the “Estro Cromatico” ensemble at the international contest “Bonporti” in Rovereto and the Bärenreiter prize at the “Telemann” in Magbeburgo, whose chairman, in both contests, was Gustav Leonhardt.

Qualche settimana fa recensivamo il primo libro del Wohltemperierte Klavier eseguito all’organo da Daniele Boccaccio. In quell’occasione si ricordava come il termine “klavier”, utilizzato da Bach per indicare lo strumento da usare per l’esecuzione, sia in realtà molto generico, indicando qualunque strumento a tastiera: clavicembalo, clavicordo, fortepiano, organo, e quindi anche ciò che nel 700 ancora non esisteva, il pianoforte.

Part II of the complete Cycle played on a modern Steinway with a great competence. When she was seven years old, Dina Ugorskaja gave her first public performance in the Philharmonic Hall of her home town of Leningrad (today renamed Saint Petersburg). Born in 1973, she received her first musical instruction from her father, Anatol Ugorski, and from Maria Mekler. She also took voice lessons specialising in early music.