The Charmed Ones

“The Shape of Water” is a 2017 American fantasy drama film directed by Guillermo del Toro and written by del Toro and Vanessa Taylor. The film stars Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, and Octavia Spencer. An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Alexandre Desplat wrote the score.

Tugs - Europa Minor (2013) {Ams}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 509 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 300 dpi (png) -> 189 Mb | 5% repair rar
© 2013 Ams | AMS221 CD
Rock / Progressive Rock

Italian band TUGS was formed sometime in the 1970's, but in their initial phase that lasted until the mid 1980's they didn't manage to record any material. Some 20 odd years later Tugs reunited, and work commenced to finalize and record the material they had created when they first started out. Come 2013 and this process was finalized with the release of their debut album "Europa Minor" on the Italian AMS label. One thing that struck me when listening to this album was the frequent use of piano textures, especially on the first ten of the twelve tracks. A detail that generally makes me suspect that many of the compositions started out as piano creations that have later been expanded with arrangements of a more sophisticated nature. If this is the case for this band as well I don't know, but it was a distinct association I got on many of these songs.

100 Greatest Motivation Songs the name the fine gift and an excellent opportunity again to make a musical voyage, and for someone and to make discovery of new performers tells for themselves, the songs checked by time, collected in one place for judges of music.

Harmony is Mr. Copland's great strength, and he colors in most of these songs with muted, shifting hues. Recorded and produced with an obsessive standard of intimacy it revels in poetic self-containment. (Nate Chinen, New York Times)