"Titancraft" is the ninth studio album by German heavy metal band Iron Savior. Iron Savior has become a metal entity over the years. With "Titancraft", relying on the same formulaic approach as ever, these guys prove once again why they are a reliable band.
Nikolaus Harnoncourt and his period orchestra, Concentus Musicus Wien, never recorded a complete cycle of the symphonies of Ludwig van Beethoven, and this 2016 Sony release is their only recording of the Symphony No. 4 in B flat major and the Symphony No. 5 in C minor, made almost ten months before the conductor's death. Harnoncourt planned for this to be his last recording before his retirement, so it inevitably has the feeling of a valedictory performance, and one can also hear it as the orchestra's warm tribute to its leader and his sterling musicianship.
Recorded in 1988 during the European tour for The Fixx's sixth album CALM ANIMALS (for some reason not released until 1996), REAL TIME STOOD STILL is a well-played, crisply-recorded, well-chosen set that shows The Fixx at a critical stage in their career. After 1986's "Secret Separation," The Fixx never had another US hit, and the English group refocused their energies on their continuing European success. Judging by the sound of the audience, The Fixx were big in Germany at this time. Only about a third of these 17 tracks were US hits, including of course "One Thing Leads to Another" and "Stand or Fall," and most of the rest of the disc is devoted to the less commercially successful WALKABOUT and CALM ANIMALS discs. REAL TIME STOOD STILL is an interesting curio for American fans.
July Reign are the brainchild of guitarist Sheldon Scrivner who, having heard Evidence One, contacted vocalist Carsten "Lizard" Schulz to enquire if he was interested in collaborating with Scrivner and long-time cohort drummer Mark Duran. The evidence of that conversation is what we have here…
As phenomenally popular as Earth, Wind & Fire was from the mid-'70s to the early '80s, it's easy to forget that the band was hardly an overnight success. With Head to the Sky – EWF's fourth album overall, second with Philip Bailey, and second for Columbia – Maurice White's very spiritual and ambitious brand of soul and funk was starting to pay off commercially. The Latin-influenced "Evil" became the soulsters' biggest hit up to that point, and material ranging from the hauntingly pretty title song (which boasts one of Bailey's finest performances ever) to the jazz fusion gem "Zanzibar" is just as rewarding. The lineup White unveiled with Last Days and Time was working out beautifully; Bailey was clearly proving to be a major asset. Also worth noting is the presence of singer Jessica Cleaves, who left after this album and, several years later, resurfaced in George Clinton's eccentric female group the Brides of Funkenstein.
Assembled from various shows from various tours from around the world, 2016's Live: Greatest Hits from Around the World is billed as ZZ Top's first "full-length live album" – a matter of dispute considering how Eagle Rock released three CD/DVD/Blu-ray combo sets between 2008 and 2014. There is no visual component to Live: Greatest Hits from Around the World, which may be how it skates around the first live album distinction – if there's no video, this is a pure album – but the record mines a similar musical vein, collecting highlights from latter-day ZZ Top tours.