The Name Squeeze

Subtitled 'Savage Garage Punk From Valhalla 1964-1968', this set comprises SIX CD's chock full of killer '60s garage rock, freakbeat and '60s punk from Scandinavia's most savage combos! Featured bands include The Holders, Gaggas, 1-2-6, Gonks, The Deejays, The Beatmakers, Firebeats Inc., Thors Hammer, The Kingbeats, The Namelosers, Tages, The Shanes, Jackie Fountains, The Cads, Stamping Bricks, The Hitmakers, The Telstars, The Friends, The Walkers, We 4, The Cherry Stones and many more.

After Lou Reed left the Velvet Underground in 1970, the band staggered on without him for a few years, with bassist Doug Yule taking over as their frontman. Someone once described 1973's Squeeze, a misbegotten Yule solo effort somehow issued under the name the Velvet Underground, as something like gin and tonic without the gin.

Bristol Archive Records have been telling the story of the incredibly diverse Bristol Music scene for many years now. The label has focused recently on the sub-culture of Mod, Modernism and Power Pop and recently gained considerable success with their release ‘The Bristol Mod Explosion 1979-1987’. They have also released albums from the same scene by The Reaction ‘Shapes of Things To Come’ and The Rimshots ‘A Way With Words 1980-1983’. Now we turn our attention to another undiscovered Bristol band, Thin Air who featured on the Mod Explosion and the song writing genius of a would be Paul Weller, John Lennon, Elvis Costello – Paul Sandrone.

Depending on who you talk to, the irrepressible Jools Holland is best known as a blisteringly energetic, piano-pounding performer of boogie-woogie, jazz, and R&B; or as the keyboard-wizard sideman to one of the great new wave pop bands of the '70s and '80s; or as one of the U.K.'s most popular television presenters. And while any one of these accomplishments would be enough for most people, Jools Holland has managed to be all those things in his remarkable show biz career – a career that's seen him work with almost everybody who was anybody on the U.K. or U.S. music scene from the late '70s onward.

Paul Desmond was an integral part of the Dave Brubeck Quartet for 17 years (1950-1967). His alto sax helped define the Brubeck sound, and just the fact that he wrote the most well known composition of Brubeck’s career (“Take Five”), would be enough to write his name in jazz history. However, it was his velvety tone and his lyrical improvisation that jazz fans remember most. His sensuous timbre, feather light, but still substantial, can be compared to both Johnny Hodges and Lester Young for its beauty.