On The Next Door Julia Hülsmann returns with the quartet from 2019’s Not Far From Here, and presents her unique pianistic voice in a varied programme of almost exclusively original music, composed by herself and her colleagues – tenor saxophonist Uli Kempendorff, Marc Muellbauer on double bass and drummer Heinrich Köbberling. A deep respect for the jazz tradition, as cultivated in the post-bop and modal jazz of the 60s, permeates this session and, with the quartet’s modern twist, sets the stage for highly expressive soloing and profound interplay.
Roberto Gatto is an Italian jazz drummer, born October 6, 1958 in Rome. He has performed with Lee Konitz, Chet Baker, Bob Berg, Tommy Flanegan, Joe Zawinul, and Joe Lovano. He has composed film music, is the leader of his own jazz group and a member of the ensemble of Pino Daniele, a prominent Neapolitan singer.
2007 two CD compilation from the '70s British Pop/Rock band fronted by Chris Norman. Smokie's sound was a combination of hook-laden songs supplied by top pop team Nicky Chinn and Mike Chapman and distinctive but unashamedly Stateside - influenced Soft-Rock harmonies. Though their very first television performance was on the Rock-credible Old Grey Whistle Test, they found themselves virtual residents on Top of the Pops as the '70s ended. This collection tells their story superbly. 36 tracks including 'If You Think You Know How to Love Me', 'Living Next Door to Alice' and 'Oh Carol'. Also includes 'Stumblin' In', Chris Norman's hit duet with Suzi Quatro!
Bernard Allison's inaugural effort bristled with the urgency and blues-rock guitar chops that distinguished his late father, Luther Allison. The pair played together for much of the '80s before Bernard recorded this album with his father's musicians - including keyboardist Michel Carras, who pulls down some good barrelhouse piano parts. The mood is feisty and assertive, especially on "B.A.'s Knockin' at Your Door" and "Low Down and Dirty," which poses the gleeful question, "And you think I'd change my style?" Of course not; fans knew exactly what they were getting, such as the Hendrix-flecked string-bending that drives "Help." (Bernard even dabbles on drums and keyboards.)…