Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.
Even though Abel left behind a sizable oeuvre, including many symphonic works, he is maybe best remembered for his extraordinary compositions for the “queen of all instruments”, as he called it: the viola da gamba.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
This is the first album of the series by Maestro Patrick Gallois plays masterpieces for flute under the label VIRTUS CLASSICS. Here is a beautiful and charming collection of “morceaux de concours” (examination pieces) of the Paris Conservatory, starting from Faure in 1898 and the beginning of the 20th century.
This is the first album of the series by Maestro Patrick Gallois plays masterpieces for flute under the label VIRTUS CLASSICS. Here is a beautiful and charming collection of “morceaux de concours” (examination pieces) of the Paris Conservatory, starting from Faure in 1898 and the beginning of the 20th century.