Bon Scott , the charismatic and now legendary front man for AC/DC who died on the eve of superstardom and who left a incredible musical legacy, the man who gave us such memorable quotes as “people ask me if i’m AC or DC, neither I’m the lightning in the middle” is the subject, or catalyst, for this exciting new release. Without alot of hoopla along comes this box set that presents all of the soundboard live recordings that feature Bon Scott on vocals. Since the band was in their formative years and were a touring band they used radio as a means to get their music out to people to be heard, the majority of this set is culled from these radio broadcasts. They are not only among the best in quality but also performance.
Although Eddie Condon was a fine tenor guitarist, his true talent was the ability to create a space, be it a band, a radio show, or a nightclub, where the best musicians of his day could play pure jazz. The Classic Sessions, 1928-1949 is a four-CD set that collects the best of these sessions, which include performances by legends such as Louis Armstrong, Fats Waller, Benny Goodman, Coleman Hawkins, and Billie Holiday, as well as Condon's regular circle of friends such as Gene Krupa, Bud Freeman, Miff Mole, and Muggsy Spanier. Condon's brand of hot jazz is sometimes mislabeled as Dixieland, and while most of the tracks have the same sense of driving rhythm as New Orleans jazz, many of the soloists, particularly Freeman on tenor sax, were playing lines as melodically sophisticated as anything heard in the more popular swing bands. Condon and his compatriots play classics such as "Liza," "Georgia," "Wolverine Blues," and "Nobody's Sweetheart" with an intoxicating blend of passion, power, and panache. These songs have been played by thousands of musicians since these tracks were recorded, but they have rarely been played as well. ~ Amazon
This four-disc, 97-track collection compiles the highlights of the first major period of Frank Sinatra's solo career, beginning with 1943's "Close To You," and ending with 1952's "Why Try to Change Me Now." Sinatra was the preeminent singing idol of American teenagers (the female ones, at least) during this period, thanks to the dreamily smooth crooning style he exhibits here on "People Will Say We're in Love," "I Should Care," "Embraceable You," and dozens of others. Sometimes the still-callow singer isn't up to the material ("Ol' Man River"), sometimes the material isn't worthy of the singer ("The Hucklebuck"), and Sinatra would certainly go on to greater artistic achievements during his Capitol and Reprise years. Still, this box set is an absolutely essential purchase for any self-respecting Sinatra fan. –Dan Epstein
The original Chico Hamilton Quintet was one of the last significant West Coast jazz bands of the cool era. Consisting of Buddy Collette on reeds (flute, clarinet, alto, and tenor), guitarist Jim Hall, bassist Carson Smith, and the drummer/leader, the most distinctive element in the group's identity was cellist Fred Katz. The band could play quite softly, blending together elements of bop and classical music into their popular sound and occupying their own niche. This six-CD, limited-edition box set from 1997 starts off with a Hamilton drum solo from a 1954 performance with the Gerry Mulligan Quartet; it contains three full albums and many previously unreleased numbers) by the original Chico Hamilton band and also has quite a few titles from the second Hamilton group (which has Paul Horn and John Pisano in the places of Collette and Hall).