Time Out New York From 13 May 2015

This is a box set of previously unreleased live recordings from Yes's 1972 (fall) North American tour. There are seven concerts here, and each concert is covered by a pair of CDs. Each pair comes in its own double gatefold with unique artwork. On the inside is printed the location and date of the concert, along with the tracklisting and credits…

Although everybody seems to have a different account of who came first in the world of New York/New Jersey area thrash metal, it seems certain that New Jersey's Overkill have stayed around the longest, and have never let their fans down by remaining musically consistent and true to their roots for over 30 years. Through much hard work and a slew of infamous live performances at New York area clubs like L'Amours, Overkill established a reputation as a blue-collar, working man's metal band…

Sony Classcial celebrates the art of Sviatoslav Richter (1995-1997) – one of the 20th century’s greatest pianists – with the first-ever release of his complete Columbia Masterworks and RCA Victor live and studio recordings in an 18 CD original jacket edition, underneath Richter’s legendary five October 1960 Carnegie Hall recitals.

Graham Parker - These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 (2016) {6 CDs & 1 DVD9}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb
DVD9 -> 6.88 Gb | All Regions | NTSC 4:3/16:9 | LPCM, 2 ch | ~ 147 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 907 Mb | 5% repair rar
© 2016 Universal Music Catalogue | 00600753713037 / 5371303
Rock / Pub Rock / New Wave / Singer-Songwriter

Career retrospective from Pub Rock’s angriest man Graham Parker, spread over 6 CDs with a DVD featuring a live set at the Brook Southampton from last year’s final tour with the Rumour…LTW’s Ian Canty looks at 40 years of Camberley’s very own Punk Soul brother….. It wasn’t very promising on the face of it. A resentful 25 year old garage pump attendant with a run through the 60s from Mod to Hippy behind him and a headful of dreams about Van Morrison and Dr Feelgood, matched up with what might have been the cream of the Pub Rock scene. But this was after all of their respective bands had singularly failed to make an impact, so together, in 1976, they stood at the doors of the Last Chance saloon. What wasn’t expected was that with their musical power allied to the petrol pump punk’s lyrical smarts and alarming stage presence, they would blow the doors off the hinges. Ladies and gentleman, I give you Graham Parker and the Rumour.

Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless Harmon mute to make his sound more personal and intimate. But if his approach to his instrument was constant, his approach to jazz was dazzlingly protean. To examine his career is to examine the history of jazz from the mid-'40s to the early '90s, since he was in the thick of almost every important innovation and stylistic development in the music during that period, and he often led the way in those changes, both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions. It can even be argued that jazz stopped evolving when Davis wasn't there to push it forward…