Time Sink 2.2.1

NIGHT COMES DOWN continues RPM’s ongoing pedigree in creating bespoke Sixties compilations of rare British music aimed at discerning collectors. Many tracks make their official debut on CD, including rarities by The Gnomes Of Zurich, Kevin ‘King’ Lear, Dominic Grant, The Shadrocks, The Reaction, Al Saxon, The Hammers, etc. In addition, ‘Cypress’ by The Truth is a previously unissued variant of Donovan’s ‘Hey Gyp’. Familiar names The Spencer Davis Group, Laurel Aitken, The Moody Blues, Arthur Brown are joined by cult favourites John’s Children, Mickey Finn, The Bo Street Runners and relative unknowns Five’s Company, The Second Thoughts.

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For the third album collection of the Joni Mitchell Archives project, The Asylum Albums (1976-1980) covers what is arguably the knottiest and most challenging period in a career known for being knotty and challenging. While there are certainly fans who have a preference for Mitchell's diaristic/post-folk sounds of the late '60s/early '70s Reprise era or the exploratory fusions of pop and jazz of her first three Asylum albums, most of those fans can find space to love all (or at least most) of the work she released between 1968 and 1975.

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With a roster of artists that include Bobby Blue Bland, Little Junior Parker and Buddy Ace there's plenty to sink your Blues teeth in to on this triple Duke compilation. Among those heavyweights however are some genuine talents that may not have hit the big time but were still capable of some spectacular moments. Enjoy The El Torros, Johnny Ace, Fenton Robinson and many more as you explore 60 tracks and ten years in the life of Duke records.

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Continuing his long-running and highly respected series for Ace, spanning year by year since the germination of his 1966 volume for both Ace and Faber Books, Jon Savage serves us up another of his spectacular insights into popular culture, this time for the years 1983 to 1985. Born out of the ashes of post-punk, there were plenty of experimental singles during the early part of this period: Siouxsie’s ‘Swimming Horses’, Shriekback’s ‘Lined Up’, Soft Cell’s ‘Heat’, Echo & The Bunnymen’s ‘Gods Will Be Gods’, and the Smiths’ ‘Girl Afraid’ – a perfect kitchen sink scenario. Pete Shelley and Scritti Politti went the electronic route to great effect, while the Special AKA delivered the perfect riposte to ‘Hard Times’ (all those ripped jeans) and having fun on the dole with the under-appreciated ‘Bright Lights’.