To Be or Not to Be

Playwright and novelist Yukio Mishima foreshadowed his own violent suicide with this ravishing short feature, his only foray into filmmaking, yet made with the expressiveness and confidence of a true cinema artist. All prints of Patriotism (Yûkoku), which depicts the seppuku of an army officer, were destroyed after Mishima’s death in 1970, though the negative was saved, and the film resurfaced thirty-five years later. New viewers will be stunned at the depth and clarity of Mishima’s vision, as well as his graphic depictions of sex and death.

Be With Me is a tapestry of three stories woven around the themes of love, hope, and destiny. Although the main characters come from different backgrounds and lead different lives, they all long to be with their loved one…..

Adventurous and curious, young Englishwoman Adela Quested (Judy Davis) travels with the open-minded Mrs. Moore (Peggy Ashcroft) to Chandrapore, India, perhaps to marry up-and-coming colonial judge Ronny Heaslop (Nigel Havers). Both newcomers are distressed by the boorish and hateful attitudes of the ruling British, and when her fiancé proves to be a similar 'Sahib' snob, Adela considers breaking off her engagement. But Mrs. Moore has a delightful encounter with muslim doctor Aziz (Victor Banerjee) in a mosque, and with the help of local professor Richard Fielding (James Fox) they're soon meeting other Indians like the odd Professor Godbole (Alec Guinness) and learning more about this strange new country…..

On April 14, 1912, just before midnight, the unsinkable Titanic struck an iceberg. In less than three hours, it had plunged to the bottom of the sea, taking with it 1,500 of its 2,200 passengers. A Night to Remember depicts the ship’s final hours in an unforgettable rendering of Walter Lord’s book of the same name. Now, aficionados of this terrific film can compare it to the facts with Criterion’s special edition, which features screen-specific commentary by Titanic experts Don Lynch and Ken Marschall.

A Brentwood housewife and her D.A. husband. A Persian store owner. Two police detectives who are also lovers. An African-American television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple. They all live in Los Angeles. And during the next 36 hours, they will all collide. 'Crash' takes a provocative, unflinching look at the complexities racial tolerance in contemporary America. Diving headlong into the melting pot of post-9/11 Los Angeles, this urban drama tracks the volatile intersections of multi-ethnic characters as they struggle to overcome their fears while careening in and out of one another's lives. In the gray area between black and white, victim and aggressor, there are no easy answers.

Lecturer Sheridan Whiteside slips on the ice on his way into the home of a prominent Ohio family. The Dr. says Whiteside must remain confined having broken his leg. He begins to meddle with the lives of everyone in the household and, once his plots are underway, learns there is nothing wrong with his leg. He bribes the doctor. The owner discovers the fraud, but Whiteside blackmails him (he finds out that the owner's sister is an axe murderer) and resumes control.

Waking groggy in pitch darkness, Paul Conroy, an American truck driver working in Iraq in 2006, slowly realizes he is trapped inside a wooden coffin, buried alive. With his cigarette lighter, he can see the trap he is in, and he quickly realizes that there's not enough air for him to live long. He finds within the coffin a working cellphone, which allows him contact with the outside world. But the outside world proves not to be very helpful at finding a man buried in a box in the middle of the Iraqi desert. Paul must rely on his best resource–himself.

The plot to kill Lincoln as he passed through Baltimore on his way to Washington D.C. to be inaugurated in 1861 is in no way historically doubtful. This incident, called "The Baltimore Plot" by such well-known Lincoln scholars as Mark Neely Jr. ("The Abraham Lincoln Encyclopedia") is an historical fact. Certainly, the details presented in the movie may themselves be historically doubtful – but not the plot itself.

"Which Way Home" is a feature documentary film that follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States. We follow children like Olga and Freddy, nine-year old Hondurans, who are desperately trying to reach their parents in the US.; children like Jose, a ten-year old El Salvadoran, who has been abandoned by smugglers and ends up alone in a Mexican detention center; and Kevin, a canny, streetwise fourteen-year old Honduran, whose mother hopes that he will reach the U.S. and send money back to her. These are stories of hope and courage, disappointment and sorrow. They are the children you never hear about; the invisible ones.