Tobias Just

Theodor Leschetizky is a towering figure in the history of piano playing. Born in 1830, he studied in Vienna and began his career as a piano teacher when he was just fourteen. Having moved to St Petersburg in 1852, he enjoyed great success as a pianist which in turn boosted his popularity as a teacher. After returning to Vienna in 1878, he concentrated increasingly on teaching, becoming an internationally renowned and sought-after mentor to a large number of pianists. Although Leschetitzky was also active as a composer, his music is largely ignored nowadays, and in his liner notes Tobias Bigger relates how he came across it indirectly, through an interest in Ignaz Friedman, one of Leschetizky’s most famous students. Much of Leschetitzky’s production consists of character pieces for piano, and a closer study convinced Bigger of the particular qualities of many of them. He was particularly impressed by the fact that even though they convey Leschetitzky’s own joy in masterful piano playing and place considerable demands on the performer, there are no displays of empty keyboard acrobatics. For his first disc on BIS, Bigger has selected pieces from Leschetitzky’s later production, and primarily those that are not readily available in recorded form.

Dieser Sammelband entwickelt Kernbotschaften für Entscheidungsträger in Städten und der Immobilienwirtschaft sowie für alle Stakeholder von Städten: wie müssen sich europäische Städte an die Corona-Krise anpassen und wie können öffentliche und private Akteure dazu beitragen, das Risiko künftiger Pandemien in städtischen Regionen zu mindern.

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